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  • AOTG

    Finding Moments of Humanity

    September 23, 2012, 3:56 pm
    Midway through George Cukor's Rich and Famous (1981), there is a scene that, all by itself, encapsulates the witty banter that was the director’s signature. The heroine of the film, a celebrated writer played by Jacqueline Bisset, is in her room at the Algonquin Hotel, ostensibly to be interviewed by a young Rolling Stone journalist (Hart Bochner). Bisset orders a drink from room service, but in the next few minutes, every one but room service shows up, including her best friend...

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  • Other Postings By Member

    • AOTG
      EDITING

      6 things we hope to see at Adobe MAX 2018

      October 8, 2018, 12:16 pm
      Just a week to go until Adobe's annual creative conference – here are our Adobe MAX 2018 predictions.

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    • AOTG
      VFX

      Freebie: Free Track from Luca Visual FX Mystery &

      October 8, 2018, 12:15 pm
      Luca Visual Effects is giving away a free track from their recent Mystery & Suspense Music & Sound Library. Just in time for your Halloween short.

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    • AOTG
      EDITING

      Off The Tracks: FCPX, for all its brilliance, has

      October 8, 2018, 12:15 pm
      A feature documentary dedicated to an editing programme is about as niche as you can get. And this is not a training programme or (ostensibly) a promotional film, but a serious, well-made documentary which treats its subject as dramatically as if it were a major political revolution… just what’s going on here?

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    • AOTG
      SOUND

      7 Pro Tools Functions I Cannot Live Without

      October 8, 2018, 6:24 am
      Before we get started, I have been asked introduce myself. My name is Lucy J Mitchell and I am a freelance Sound Editor and Dubbing Mixer for TV, Film and Computer Games living on the Surrey-London border and have been working in the Audio Post Production industry for almost 10 years.

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    • AOTG
      EDITING

      Quick & Awesome Titles in Premiere Pro CC

      October 8, 2018, 6:24 am
      In case you missed it, this great tutorial in the Red Giant Short Cuts series with Kelsey aka Premiere Gal came out in early August. Kelsey explains how to make stylized titles in Premiere Pro with Red Giant Universe.

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    • AOTG
      EDITING

      Weber Looks Back on His Collaborations With Malick

      October 5, 2018, 10:04 am
      Editor Billy Weber has been one of reclusive filmmaker Terrence Malick’s preferred craftspeople. Their relationship has spanned 1973’s “Badlands,” 1978’s “Days of Heaven,” 1998’s “The Thin Red Line” and 2011’s “The Tree of Life.”

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    • AOTG
      EDITING

      Boris FX Releases Mocha Pro 2019

      October 5, 2018, 10:04 am
      (Boston, MA--October 4, 2018) The Academy Award®-winning team behind Mocha planar tracking is once again changing how post-production teams create visual effects with its new release, Mocha Pro 2019. Mocha Pro 2019 from Boris FX, the industry’s leading plug-in developer, builds on its mission to reduce the time-consuming pain points and manual work generally associated with high-end visual effects.

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    • EditShare Leads NAB NYC Lineup
      EDITING

      EditShare Leads NAB NYC Lineup

      October 5, 2018, 10:04 am
      (Boston, MA--October 4, 2018) EditShare, a technology leader in intelligent shared storage and media management solutions, will showcase its multi-award-winning EFS scale-out intelligent shared storage solutions, Flow media asset management, now compatible with third-party storage , and its award-winning approach to AQC of IMF files with QScan on booth N332 at the NAB Show New York from October 17th and 18th, 2018 at the Javits Convention Center in New York City.

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    • AOTG
      SOUND

      Friday Free Plug-in - Ochre By Acustica

      October 5, 2018, 6:12 am
      In this week's Friday Free Plug-in, we are featuring Ochre from Acustica.

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    • AOTG
      EDITING

      Editors Behind Marvel’s Biggest Shows Discuss In

      October 5, 2018, 6:11 am
      Spider-Man has been featured on the silver screen six times in the last sixteen years. That doesn’t include the web-crawlers appearance in “Captain America: Civil War,” “Avengers: Infinity War,” or any of his recent animated depictions. It’s safe to say this New Yorker has a deep connection with visual storytelling that has given creators a lot to build off of with each new attempt at telling the hero’s tale.

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