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January 27, 2010, 5:58 pm
Every little kid goes through a dinosaur phase, and I was no exception. In fact, when Jurassic Park came out on VHS I bought that over a gameboy (I was 8 years old). In any case, meeting prehistoric creatures always gets movie crowds going, even from the very beginning of film (the first animation that could be considered a movie was Gertie the dinosaur in 1914). Special effects have come a long way since 1914 (or even 1925 when The Lost World featured stop motion dinosaur action), and consequently have brought them back from a kind of extinction. Even if only to make humans a thing of the past...
January 18, 2012, 3:00 pm
As an interesting note, it was conveniently blocked by FOX just as the internet is on blackout strike today in solidarity against SOPA. American friends, please be aware that if SOPA passes, videos like this where I attempt to teach about film editing in a fun way will not be available anymore, even if I am in compliance with the Fair Use clause— in fact, I could be shut down, fined, and/or jailed without due process. If you like the internet and the ability to find information freely and easily, please educate yourself about this bill, and do whatever you can to stop it from passing!
September 21, 2011, 4:25 pm
Metropolis is one of the most influential science fiction films of all time, and it's obvious that the editing has a lot to do with it. The expressive nature of the acting is superbly juxtaposed with epically framed shots in such a way that story isn't only easy to follow, but really fun to watch!
Gordon sits down with Joe Walker to discuss Steve McQueen's new film Widows.
Gordon sits down with Barry Brown to discuss his work on editing BLACKkKLANSMAN, Spike Lee's latest film.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
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