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January 27, 2010, 5:58 pm
Every little kid goes through a dinosaur phase, and I was no exception. In fact, when Jurassic Park came out on VHS I bought that over a gameboy (I was 8 years old). In any case, meeting prehistoric creatures always gets movie crowds going, even from the very beginning of film (the first animation that could be considered a movie was Gertie the dinosaur in 1914). Special effects have come a long way since 1914 (or even 1925 when The Lost World featured stop motion dinosaur action), and consequently have brought them back from a kind of extinction. Even if only to make humans a thing of the past...
August 31, 2011, 12:49 pm
I can't think of anything more scary than having a robot from the future relentlessly hunt you down because of something you haven't done yet (and didn't even know you were planning to do). Well, maybe I can think of a couple scarier things, but really, robo-Schwarzenegger is pretty high up there!
August 10, 2011, 2:23 pm
Being thousands of feet underwater is scary enough without stumbling upon some kind of creature that no one has ever seen before, but when the team does find that "thing" then it's up to the editor to carry not only the story, but the suspense, the action, and the fear.
July 27, 2011, 12:08 pm
Well excUUUUUUUuuuse ME! Steve Martin has been most commonly known to do comedy, and as I've explained before, comedy has everything to do with timing. In film, the editing plays an integral part in that timing.
July 6, 2011, 11:53 am
Rendering is always one of those things that create dead time during a project. This is especially true for the independent freelancer with the last generation of equipment. But there's no reason to let that time go to waste!
June 22, 2011, 1:44 pm
As a composer as well as an editor myself, I've always found that there seemed to be a direct correlation to the construction of music to the art of editing. The pictures to the editor are like the notes to the composer. This is exceptionally illustrated with animation. Fantasia is a great example.
June 8, 2011, 2:54 pm
I've heard many times from many a wise person that the greatest artists were also the most insane or tortured. Looking at history, this is arguably true. Unfortunately for them, of course, it's a rough life, but their ghosts can take solace in the fact that their work has moved many generations beyond them. Their lives make great stories, too.
May 25, 2011, 2:05 pm
Superman has long been the quintessential American superhero, and has been manifested in popular culture in a plethora of ways since his creation in the 1930s. My favourite moving renditions of him have to be the Fleischer cartoon series from the WWII era, but he really exploded into unprecedented iconic stature in 1978 when Hollywood came out with <i>Superman</i> and <i>Superman II</i>. I know that I certainly almost always think of Christopher Reeve the second someone mentions the name Superman.
May 11, 2011, 12:33 pm
One of the musical-turned-movies that has always been close to my heart is Grease— I remember growing up and watching that movie, learning all the words to the songs (which I can still sing along to), and thinking that the social dynamic in high school would basically be like that. Well, I learned that that last point wasn’t actually the case in the real world, but at least I can nail every song at a karaoke bar.
April 20, 2011, 2:09 pm
Christopher Guest and his crew of equally talented and funny friends managed to create a particular standard for a genre of film, which is difficult to pull off if you don’t know what you’re doing. I myself come into editing with a documentary background, and as anyone who does documentary knows, in some situations it can be hard to keep continuity when events are unfolding in front of the camera before the operator has time to plan. This is where the "mockumentary" has its advantages (being able to consciously fill the holes) and disadvantages (filling those holes make it less of a documentary and more of a drama). To make it still have a raw documentary feel the editor needs to have a keen understanding of the subtleties that will fake it realistically.
April 6, 2011, 11:38 am
Different genres call for different editing techniques, but sometimes movies don’t really fit any particular kind of genre and as an editor, you just kinda have to go with it. <i>True Stories</i> is one of those movies— it’s borderline comedy and musical, but it’s mostly an entertaining commentary with music. Because it’s done so well, it’s made its way to my personal top 5 movies— and while it is obviously somewhat low budget, technically speaking, the editing ultimately helps to keep it entertaining and progress the story.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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