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July 13, 2012, 10:59 am
After using "tower" (or "desktop") computers for my main workstation for over 20 years (since the Mac IIci!), Josh made the switch a couple of years ago to using a 17? MacBook Pro for my main editing and everything else machine.
July 12, 2012, 3:08 pm
Adobe Premiere Pro CS6 Review - It wasn't really that long before we had CS5.5 (or time just flies?), so some of you may be wondering whether the CS6 is worth the upgrade. I haven't looked at the other applications inside the package apart from Premiere Pro and Audition, but Adobe Premiere Pro CS6 is definitely a worthy upgrade from CS5.5!
July 12, 2012, 2:58 pm
There have been lots of comparisons between Final Cut Pro X and Premiere Pro CS6, with most focusing on features and workflows. This article discusses a series of multiple-format benchmark tests that analyzed comparative performance between the two programs.
July 11, 2012, 2:43 pm
No, that's not hype. No, that's not our quote. That is respected encoding/transcoding expert Jan Ozer's (of Streaming Media) conclusion after testing new Squeeze 8.5 which launches today.
July 10, 2012, 9:27 pm
David Helfand is an Emmy-winning film editor. He started his editing career cutting promo reels, commercials, music videos, and documentaries for a small production company in Los Angeles. His first editing break came on the acclaimed HBO series "Dream On," for which he earned a CableAce Award and three nominations during its five year run...
July 10, 2012, 3:09 pm
Grass Valley has begun shipping the highly anticipated latest version of its EDIUS multiformat nonlinear editing software. EDIUS Pro 6.5 now includes a comprehensive 3D editing workflow and cross-platform codec support.
July 10, 2012, 3:06 pm
When the cable channel Music Television (MTV) began airing music videos on August 1, 1981, with the prescient "Video Killed the Radio Star" by the Buggles, no one had seen anything like it. An entire network devoted to music, where your favorite bands sang the songs while they danced, cavorted in wild costumes, acted out stories and mugged in crazy environments...
July 10, 2012, 2:59 pm
You may have heard about the ways in which Media Composer/ Symphony can save you copious amounts of time in the editing suite. Now we'd like to show you Media Composer/FCP double agents--and those looking to expand your workflow--how fast and easy it is to work with ProRes using the latest Media Composer family software.
July 9, 2012, 2:11 pm
As the Adobe Pro Video and Audio Field Team manager for the Americas, I lead a team responsible for working with customers and vendors on the newest technologies that benefit our Pro Video and Audio applications.
July 9, 2012, 2:09 pm
With so many people looking for an NLE to replace FCP7, it's natural that people are turning to Avid. I've moved between editing systems often, and I can relate to the apprehension and frustration of moving to a new NLE. I often describe this process like learning a new language: you already know how to communicate, but now you need to do it with new words and new grammar.
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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