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  • Better editing with custom screen layouts

    Better editing with custom screen layouts

    June 18, 2010, 12:49 pm
    One of the handy features of modern NLEs is the ability to rearrange the interface around specific editing tasks. Changing the user interface windows for editing, mixing, color correction or effects will make easier work of any session. Adobe Premiere Pro, Avid Media Composer and Apple Final Cut Pro are all designed with a similar bin, window and timeline layout that offers infinite possibilities to customize the UI, including keyboard and button commands.

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  • Other Postings By Member

    • "2036 Origin Unknown" – VFX Q&A
      VFX

      "2036 Origin Unknown" – VFX Q&A

      June 22, 2018, 6:20 am
      While recent planet-wide dust storms raged on Mars, a small sci-fi movie unspooled 33.9 million miles away, in a handful of theatres across the United States. 2036 Origin Unknown, released by Gravitas Ventures June 6, is an indie sci-fi thriller set mostly in an underground bunker on the Red Planet where a lone U.S. Planetary Corp operative Mackenzie ‘Mack’ Wilson (Katee Sackhoff) and her artificial intelligence system, ARTi (Steven Cree), probe the mysteries of a giant cube unearthed in a Martian dune sea.

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    • Getting Started with HitFilm Pro - Lesson 4
      EDITING

      Getting Started with HitFilm Pro - Lesson 4

      June 22, 2018, 6:20 am
      In our last lesson, in our look at learning HitFilm Pro, we talked a little bit about basic editing, and setting your options. In this lesson, we’re going to move ahead, and talk about HitFilm Pro’s Toolbar, and the tools you have quick access to, when editing in your timelines.

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    • AOTG
      EDITING

      Apple updates FCPX with support for viewing and ed

      June 21, 2018, 12:09 pm
      Apple has today pushed a minor update to its popular Mac video editing tool Final Cut Pro X. Today’s update brings the app to version 10.4.3 with a few new features.

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    • THREE "Free Your Puggerfly": Making of by The Mill
      VFX

      THREE "Free Your Puggerfly": Making of by The Mill

      June 21, 2018, 7:35 am
      Come see how The Mill have created the cute Puggerfly for this THREE commercial...

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    • The editors of Netflix's "Ozark" by Steve Hullfish
      EDITING

      The editors of Netflix's "Ozark" by Steve Hullfish

      June 21, 2018, 7:34 am
      I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark.

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    • AOTG
      EDITING

      A Brief History of Paramount Pictures

      June 21, 2018, 7:34 am
      Take a load off hotshot and pour yourself two fingers and we spill the beans on the history of one of Hollywood's oldest and most powerful studios: Paramount Pictures.

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    • READY PLAYER ONE: Graphics Reel by Territory Studi
      EDITING

      READY PLAYER ONE: Graphics Reel by Territory Studi

      June 20, 2018, 9:06 am
      Territory Studio presents their graphics work on READY PLAYER ONE...

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    • SOLO - A STAR WARS STORY: Joseph Kasparian & Fran
      VFX

      SOLO - A STAR WARS STORY: Joseph Kasparian & Fran

      June 20, 2018, 5:32 am
      In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN’S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI.

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    • AOTG
      VFX

      Black Panther's epic VFX

      June 20, 2018, 5:32 am
      Black Panther has become the fifth Marvel Studios movie to cross the $1 billion global box office mark. “It’s unbelievable that the world has such a huge reaction to a film and I can’t help but feel proud to be part of it,” says Method Studios associate VFX supervisor Todd Perry.

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    • Adobe Project Rush: pro mobile/cross-device editin
      EDITING

      Adobe Project Rush: pro mobile/cross-device editin

      June 19, 2018, 10:10 am
      Last week I attended the online Adobe press conference regarding its new Project Rush video editing software. I am intrigued at its power, cross-device and inter-device sharing, which includes Android, iOS, macOS and Windows. This will likely include the latest Chromebooks which run Android apps. I was happy to see its framerate support, both integer (exact 24—25—50) and non-integer (23.976—29.97—59.94). I also like its animated lower third capability and 48 kHz audio sampling support. Ahead I’ll cover more details and make a superficial comparison with LumaFusion.

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