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June 18, 2010, 12:49 pm
One of the handy features of modern NLEs is the ability to rearrange the interface around specific editing tasks. Changing the user interface windows for editing, mixing, color correction or effects will make easier work of any session. Adobe Premiere Pro, Avid Media Composer and Apple Final Cut Pro are all designed with a similar bin, window and timeline layout that offers infinite possibilities to customize the UI, including keyboard and button commands.
July 5, 2009, 3:56 pm
Editors Dan Hanley and Mike Hill, who won Academy Awards for film editing on Ron Howard’s Apollo 13 (1995), have known each other since the early 1970s when they were both working in the Paramount Studios shipping department. Hanley became friends with Robert James Kern, Jr., who was the editor on the sitcom Happy Days (on which Howard starred) at Paramount and the editor of Howard’s first directorial films. Kern’s father, Robert Kern, Sr., and his uncle, Hal C. Kern, both won Oscars for...
July 4, 2009, 3:56 pm
Jonathan Walls is the Co-Director and Editor for Playing for Change, Peace Through Music. This project has taken more than 5 years to be produce, and can be seen as the ultimate documentary; filmed in many countries around the world, the program blends music performed by musicians of different cultures and nationalities, together in a way that works incredibly well.
July 3, 2009, 3:54 pm
There was an interesting article this week in Daily Variety which was ostensibly about the American Cinema Editors pre-announcement of an award that they’ll be giving to Avid at their awards dinner in February (actually, I suppose I should say that we’ll be giving at our dinner, since as of June 2nd, I am now a member of ACE — you can leave your congratulations at the door). Variety takes the slant that...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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