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September 27, 2012, 2:44 pm
Portland, OR (September 27, 2012) – Red Giant today announced the release of PluralEyes 3 for Mac OS X, a major new upgrade to the industry’s most trusted audio/video syncing software. PluralEyes 3 automates audio/video synchronization in seconds, giving videographers and filmmakers edit-ready footage without clappers or timecode, and delivering up to a 20x speed increase over PluralEyes 2.
December 23, 2009, 5:49 am
This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract. Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.
December 22, 2009, 5:48 am
The UCLA Film and Television Archive and American Cinema Editors (A.C.E.) present "Film Editing: The Invisible Cut" with author Bobbie O’Steen in discussion with film editor Carol Littleton, on Sunday, January 10, 2010, 7 p.m., at the Billy Wilder Theater, 10899 Wilshire Boulevard, Los Angeles, along with screening of the 1981 film noir "Body Heat." Littleton was interviewed in O’Steen’s book, "The Invisible Cut: How Editors Make Movie Magic" and will talk about her work on "Body Heat,"...
December 21, 2009, 5:45 am
February 17th and 18th in Universal Hilton, Universal City, CA This conference and expo will shape the standards and explore the urgent global issues of digital asset management in the entertainment and media sector. This two day professional conference is comprised of keynote presentations, expert panels, and educational sessions from technology leaders and industry insiders. The event also features an expo floor of exhibitors and industry sponsors providing a unique opportunity to explore spe
December 21, 2009, 5:45 am
When FCP hit the world back in 1999 the program was regarded as a video editing application. For those wishing to work with film, and match the negative to the edit produced within Final Cut, this was a formidable challenge. Those at a Los Angeles based edit facility known as DigitalFilm Tree were pioneers who broke through the wall of expensive post production and made film editing using FCP possible. Ramy Katrib, Founder and CEO of DigitalFilm Tree, was instrumental in making this happen...
December 21, 2009, 5:44 am
When Walter Murch was investigating using Final Cut Pro to edit Cold Mountain, he and his assistant, Sean Cullen, visited a Los Angeles post facility known as DigitalFilm Tree to see what was possible. This resulted in a $999 piece of software being used to edit an eighty million dollar feature film.
December 20, 2009, 5:43 am
The Motion Picture Editors Guild has announced their new board member line up. Their board includes editors Maysie Hoy, Pam Wise and John Lafferty. It also has Assistant editors, sound editors and more. Check out the editors guild site to find out more!
December 19, 2009, 5:42 am
Sam Pollard's background was primarily in documentaries, serving as a director and producer of PBS' EYES ON THE PRIZE, as well as the specials PAVAROTTI IN CHINA and episodes of NOVA, when he was enlisted for Spike Lee's music drama MO' BETTER BLUES.
December 19, 2009, 5:41 am
Equally comfortable with glossy thrillers and contemplative mood pieces, Howard Smith brings his insightfulness about the aesthetics of editing to this December 1990 interview, conducted during the editing stages of the Kathryn Bigelow film POINT BREAK.
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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