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June 23, 2010, 10:28 am
So, for those who haven’t been following long at home, this is the third creative controller that I have put together. I promise this isn’t going to become a "Combine X with Y and use it to control Final cut Pro!" blog. This one is clean and simple so I figured I’d put it up and share how it works.
January 12, 2021, 6:10 pm
In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a various shows including War Dogs, The Last Man On Earth, Station 19 and Veronica Mars.
January 12, 2021, 6:10 pm
But question comes “What is VFX”? It’s stands for visual effect. It’s a post production stage of film.
January 12, 2021, 2:08 pm
A native Californian, David Tanaka attended the University of California at Berkeley where in 1989 he earned his bachelor’s degree in Fine Arts with an emphasis in Film Theory. Upon graduating, he worked for post-production facilities throughout the San Francisco Bay Area, quickly gaining experience through corporate advertising and industrial documentary assignments.
January 12, 2021, 2:06 pm
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming, a lot of the Cut page and basic editing with the Speed Editor. This second part is all about multicam and multicamera editing with the Speed Editor and the Cut Page.
January 12, 2021, 2:06 pm
VFX Legion created over 200 visual effects for ‘Black Box,’ one of the series of films in the ‘Welcome to Blumhouse’ anthology that tapped the LA/B.C.-based company’s end-to-end services. The thematically connected package of dark genre movies marks Amazon‘s first-ever global direct to services deal.
January 12, 2021, 2:06 pm
On the occasion of the Paris Images Digital Summit , an awards ceremony (the Genie Awards) will be organized on the evening of Wednesday January 27.
January 11, 2021, 5:25 pm
Interested about animation? Be sure to watch this brand new showreel by Barcelona based studio 23lunes...
January 11, 2021, 5:25 pm
Come have a look at the digital rejuvenation work created by the Mac Guff teams on the 5th season of the Canal+ series, Le Bureau des Légendes...
January 11, 2021, 2:07 pm
It's the golden rule of film school and one of the most reliable tools in a cinematographer's toolkit. Here's how the 180-degree rule works.
January 11, 2021, 2:07 pm
What follows is a long chat I had with visual effects supervisor Nathan McGuinness and DNEG visual effects supervisor Pete Bebb about their work on Aaron Schneider’s Greyhound, which stars Tom Hanks as a WWII navy captain of a destroyer guarding a merchant ship convoy across the Atlantic during WWII.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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