October 5, 2012, 3:26 pm
Edelson, who previously cut reality-based shows such as The Osbournes, Top Chef and Project Runway, as well as episodes of The Office and MTV's The Hard Times of RJ Berger, and Cooper cut on Avid Media Composer 5.5. The cameras' memory cards are transcoded by Red Sky Pictures, then Avid XML files are ingested into the Media Composers where the editors do a low-resolution offline. Their assistants conform the show at DNx115 resolution. Color timing is handled by HTV Illuminate; final color...
January 19, 2018, 7:05 am
Ten years ago Digidesign discontinued the popular Control|24 Pro Tools control surface. The Control|24 was launched in 2001...
January 18, 2018, 1:45 pm
On Tuesday, Jan. 23, the Academy of Motion Picture Arts and Sciences will unveil nominations for the 90th annual Oscars. It’s been a season marked, refreshingly, by a lack of frontrunners in most major categories. Combined with an extended phase two this year (thanks to the Winter Olympics), it ought to make for a spirited sprint to the finish line after the races are firmed up next week.
January 18, 2018, 11:22 am
For film and video editors, using music in your videos is a great way to liven up scenes and present more enjoyable information. However, simply dropping in a track and letting it play can wear thin. In this video tutorial from Cinecom, Jordy Vandeput dives into audio editing advice and offers up some simple tricks of the trade he’s developed to keep his videos fun and upbeat.
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
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