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  • Tej

    Digital Juice’s Motion Designer’s Toolkit

    June 27, 2010, 11:27 am
    Pro Video Coalition looks at creating Elements with Digital Juice "Motion Designer Tool Kit" giving the editor "Total Creative Control

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  • Other Postings By Member

    • TIFF Night 2010
      EDITING

      TIFF Night 2010

      September 13, 2010, 8:21 am
      The Toronto Film Festival is in full swing, and what better start than our annual TIFF Party!

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    • Final Cut Pro 7 and Shrink Ray
      EDITING

      Final Cut Pro 7 and Shrink Ray

      September 6, 2010, 10:12 am
      How to use a plug in called Shrink Ray from Crumple Pop to create tilt and shift effects within Final Cut Pro 7

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    • Tej
      EDITING

      Adobe CS5 After Effects new update

      September 4, 2010, 9:05 am
      The new update fixes AIFF audio problems and various problems with color and gamma

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    • Telestream Pipeline
      EDITING

      Telestream Pipeline

      August 30, 2010, 10:22 am
      Many of you are now familiar with various break out boxes and network servers that handle all of your ingest needs from companies such as Matrox, Avid, and even Apple. Well I thought I would take some time this week to discuss a network storage solution from Telestream known as Pipeline.

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    • Avid DS Stereoscopic Titles
      EDITING

      Avid DS Stereoscopic Titles

      August 23, 2010, 12:26 pm
      Avid has posted a great tutorial on stereoscopic titles in Avid DS in several simple steps.

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    • Apple Color 1.5
      EDITING

      Apple Color 1.5

      August 23, 2010, 9:24 am
      Looking into some of the new enhancements in Color 1.5

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    • Compressor Droplets
      EDITING

      Compressor Droplets

      August 18, 2010, 8:26 am
      A look at using droplets for speeding up repetitive compression tasks.

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    • Hackintosh?
      EDITING

      Hackintosh?

      August 15, 2010, 10:50 pm
      This previous week I was asked to cut a low budget documentary film. Despite being low budget, docs can prove to be very exciting as generally my cut is the final cut. Upon my initial arrival in the edit suite, I thought I would be cutting on a PC based Avid. My eyes were deceived... this was no PC... this was a Hackintosh!

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    • Tej
      EDITING

      A Case for Mastering Codecs

      August 13, 2010, 12:00 pm
      Traditionally (can there be much tradition here yet?), this would be used in a DI process when not going out to film. This is becoming quite common now as theater deliveries are becoming increasingly digital. You want something that hits film’s final resolution of approximately 1.5K and does that very well without being hugely taxing on space and processing power. Currently Cineform and DNxHD are the only codecs I know if being used in this process (caveat: I don’t work in Hollywoodland, this is

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    • Tej
      EDITING

      Oasis Imagery new Post Production Facility

      August 13, 2010, 10:33 am
      Last week Oasis Imagery had the grand opening for their new Post Production Facility. Oasis Imagery’s production retreat specializes in technologically advanced and cost-effective file-based workflows. With front-to-back expertise (from on-set services to distribution), Oasis (oasisimagery.com) is a one-stop new media studio with the capacity to accommodate all independent and studio needs. Services include 3D production and post production (with delivery for RealD, Dolby 3D and XpanD), 4K/2K/HD

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