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June 27, 2010, 6:13 pm
Just a few days ago Philip Hodgetts posted an intriguing article over on his blog The present and future of post production business and technology. It was titled Why Apple should drop Log and Capture from FCP and has generated some interesting discussion in the comments afterward.
August 30, 2010, 10:22 am
Many of you are now familiar with various break out boxes and network servers that handle all of your ingest needs from companies such as Matrox, Avid, and even Apple. Well I thought I would take some time this week to discuss a network storage solution from Telestream known as Pipeline.
August 15, 2010, 10:50 pm
This previous week I was asked to cut a low budget documentary film. Despite being low budget, docs can prove to be very exciting as generally my cut is the final cut. Upon my initial arrival in the edit suite, I thought I would be cutting on a PC based Avid. My eyes were deceived... this was no PC... this was a Hackintosh!
August 13, 2010, 12:00 pm
Traditionally (can there be much tradition here yet?), this would be used in a DI process when not going out to film. This is becoming quite common now as theater deliveries are becoming increasingly digital. You want something that hits film’s final resolution of approximately 1.5K and does that very well without being hugely taxing on space and processing power. Currently Cineform and DNxHD are the only codecs I know if being used in this process (caveat: I don’t work in Hollywoodland, this is
August 13, 2010, 10:33 am
Last week Oasis Imagery had the grand opening for their new Post Production Facility. Oasis Imagery’s production retreat specializes in technologically advanced and cost-effective file-based workflows. With front-to-back expertise (from on-set services to distribution), Oasis (oasisimagery.com) is a one-stop new media studio with the capacity to accommodate all independent and studio needs. Services include 3D production and post production (with delivery for RealD, Dolby 3D and XpanD), 4K/2K/HD
Gordon sits down with cinematographer James Kniest to discuss his work on The Haunting of Bly Manor. Including hiding people ...
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
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