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July 1, 2010, 2:09 pm
Avid is on a roll in 2010, highlighted by the purchase of Euphonix and the release of Media Composer version 5, its signature creative editing application. The company has been on an accelerated development pace for the Media Composer/NewsCutter/Symphony editing family, with recent releases adding such innovative features as AMA (Avid Media Access), Stereo 3D editing...
July 20, 2020, 4:39 pm
Weta Digital, which recently launched an original animated content division, has partnered with Avalon Studios and Streamliner to create a new LED-stage virtual production service, based in Wellington, New Zealand. This alliance brings together Weta’s VFX prowess with live stage expertise from Streamliner and production facilities from Avalon. Crucially, though, the health and safety benefits of working in New Zealand, which effectively controlled the pandemic, will help attract productions of all sizes for this ready-to-use package.
July 20, 2020, 1:21 pm
Congratulations to the teams of Framestore to have won the BAFTA for Special, Visual and Graphic Effects for HIS DARK MATERIALS!
July 20, 2020, 1:21 pm
Nona Khodai’s first paying editor gig was for a two-week stint on a Hallmark TV movie. It fell into her lap thanks to an email from a friend-of-a-friend. Her next job happened because she followed up with a connection she’d made on that first job. And her latest work, on Amazon’s “The Boys,” was the result of another professional connection (and years of hard work). So if you’re still questioning how valuable your network is, take a page out of Khodai's book: stop questioning, start tapping.
July 18, 2020, 4:02 pm
Films such as Fantastic Voyage, Inner Space, Willow, Honey, I Shrunk the Kids, Hook, The Indian in the Cupboard and Ant-Man are all ones that have used different visual effects techniques to go small. These techniques have ranged from forced perspective, over-sized sets, shooting on blue or greenscreen and of course digital means.
July 17, 2020, 1:05 pm
This awards season, Pixar gets back to original storytelling with its first Black-led feature, “Soul” (November 20). Sony returns with “Connected” (October 23), another stylistic experiment from Oscar-winning producers Phil Lord and Chris Miller (“Spider-Man: Into the Spider-Verse”). Two-time Oscar nominee Tomm Moore tackles his third Irish folktale about saving the balance of nature with Cartoon Saloon’s “Wolfwalkers” (fall). And, with fall entry “Over the Moon,” a gorgeous update of the Chinese Moon Goddess fable, former Disney legend Glen Keane (Oscar-winning “Dear Basketball”) makes his directorial feature debut at Netflix.
July 16, 2020, 2:02 pm
Foundry has released Mari 4.6v4, the latest update to its 3D texture painting software. Although it’s officially described as a maintenance release, it actually adds quite a number of new features, including a new local space mode for the transform tool and improvements to baking workflow.
July 15, 2020, 5:49 pm
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Cheer. They discuss the detective work required to structure a doc and the character they didn't want to cut but had to.
Gordon Sits down with Arielle Kilker and David Nordstrom, the Supervising Editors of Netflix's hit documentary series Ch ...
Gordon sits down with Sam Ejnes, Re-Recording Mixer, and Pete Nichols, SFX Editor, who helped craft the sound for Mythic Ques ...
Kyle Gilman discusses the editing of Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. This film is a "Pick your own ad ...
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