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July 2, 2010, 12:30 pm
It might surprise some to learn that the most important part of post-production for an independent film is the pre-production phase. Before shooting a single frame or pixel, the first decision any independent moviemaker should make is to scout an indie-friendly, post-production facility. Achieving success cannot occur without tediously planning for the end of the production. It becomes increasingly pertinent when working with tighter time constraints and the budget of an independent film...
February 22, 2021, 1:47 pm
Heads up: this Thursday 25th February at 1pm UK time, I’ll be hosting a panel at the Vertex conference called ‘Virtual Production: The Latest Tech From VFX Studios and Indie Creators’. It includes the following expert guests...
February 22, 2021, 1:47 pm
There’s a lot of talk about the M1 Mac mini. Apple says they are going to revolutionize their computers! This isn’t totally the truth, but there have been some impressive improvements and demos showing the M1 chip blazing through some tough applications and workflows.
February 22, 2021, 1:47 pm
See how to create glass in V-Ray for 3ds Max.
February 22, 2021, 1:47 pm
This video shows how to reverse stabilize a warped surface to remove and fix objects with PowerMesh in Mocha Pro.
February 22, 2021, 1:47 pm
This month of February marks a double celebration for The Art of VFX:it’s first of all its 11th year and the 900 interviews mark has been passed!
February 20, 2021, 1:35 pm
When editor Kirk Baxter boarded labyrinthine, Old Hollywood drama Mank, he was met with multiple timelines, and rapid-fire dialogue from a vast assortment of real-life characters.
February 20, 2021, 1:35 pm
Film and television visual effects company VFX Legion delivered all of the effects for ‘Nocturne,’ director Ze Quirke’s feature film debut, for ‘Welcome to Blumhouse.’ Amazon Studios joined forces with Blumhouse Television to create the theme-related series showcasing emerging filmmakers who bring a fresh perspective to the horror genre. Legion’s team produced a mix of complex computer-generated effects that helped elevate the visceral fear and foreboding evoked by the thriller’s untraditional occult theme.
February 19, 2021, 1:45 pm
In researching some rental gear and resources for an upcoming project, I found myself falling down a VFX rabbit hole. There is a sequence in a upcoming project that will be relatively VFX heavy, and I wanted to find the best way to not only shoot the sequence, but also to assemble stock video elements, models, assets and textures. Then with that I would also know what remaining elements I would need to be create from scratch.
February 19, 2021, 1:45 pm
Framestore announced the appointment of Thomas Montminy Brodeur as VFX supervisor, further bolstering the company’s episodic offering under New York managing director, Charles Howell. With 15 years of industry experience, Brodeur will be charged with developing methodologies and maintaining high-end image quality across a variety of episodic projects.
February 19, 2021, 1:45 pm
In this free video tutorial, brought to you with the support of Avid, Julian Rodgers introduces the S1 for those who have yet to experience how this brilliant little control surface works.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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