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  • AOTG

    HAS AVID CAUGHT UP TO FCP WITH MC5?

    July 2, 2010, 2:55 pm
    It was only a few years ago that Avid, trying to win back the hearts and minds of customers who were abandoning them and going to Final Cut and other systems, adopted the motto: "We’re Listening." With the release of Media Composer 5, it’s obvious they did.

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  • Other Postings By Member

    • AOTG
      VFX

      The Man in the High Castle - VFX Breakdown

      April 23, 2019, 6:14 am
      Barnstorm VFX have shared a VFX breakdown of their work on season three of The Man in the High Castle.

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    • AOTG
      EDITING

      Thunderbolt storage - made bigger and faster

      April 23, 2019, 6:14 am
      One of the eternal rules in production and post production is that media will always expand to fill the space you allocate it + a bit more. There is always too much, and individual operators and small to medium post houses have tended to struggle on with NAS devices as they don’t have the room nor the budget for rack system storage.

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    • AOTG
      EDITING

      SD, HD, 4K, and Beyond

      April 23, 2019, 6:14 am
      Hey, all you young filmmakers who grew up watching your favorite movies and TV shows on sleek UHD sets and monitors...how I envy you.

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    • AOTG
      EDITING

      FCP Fans Rejoice Hedge Acquires Postlab

      April 23, 2019, 6:14 am
      Postlab is one of those applications that really checks off all the major boxes of a startup. Developed in-house at a Dutch broadcasting company, it was built by people who themselves were struggling with the problem it set out to solve. It's a solution to a pain point—helping FCP-X users share libraries with groups and maintain version control.

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    • Going back to 'Pleasantville': when doing a DI was
      VFX

      Going back to 'Pleasantville': when doing a DI was

      April 22, 2019, 6:23 am
      PLEASANTVILLE VISUAL EFFECTS SUPERVISOR CHRIS WATTS ON BRINGING THROUGH A REVOLUTION IN SCANNING/FILM-OUTS, THE UNEXPECTED USE OF SHAKE, AND THE FILM’S HARDEST SHOTS (THEY’RE NOT WHAT YOU THINK).

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    • AOTG
      SOUND

      Editing MIDI In Pro Tools - Do You Know How To Con

      April 22, 2019, 6:23 am
      In this free video tutorial Pro Tools Expert team member Julian Rodgers looks at the MIDI editor in Pro Tools and specifically on ways to direct keyboard shortcuts to the Edit window or to the docked MIDI editor.

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    • AOTG
      EDITING

      SHAZAM! Editor on Balancing Horror and Comedy

      April 19, 2019, 12:37 pm
      Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

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    • AOTG
      ANIMATION

      Destructing Elements in Maya with PullDownIt: Part

      April 19, 2019, 12:37 pm
      Destructing Elements in Maya with PullDownIt: Part 12

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    • AOTG
      EDITING

      Resolve 16: Hands on with the new Cut Page

      April 19, 2019, 5:46 am
      A year or so back I took the plunge and invested in DaVinci Resolve Studio 15. Previously I had used FCP X with a smidgen of Adobe Premiere thrown in for compatibility with one of my clients. But I had usually used Resolve for correction and grading - well as far as what this non full time 'colourist' can class as grading at any rate. So it made sense with Resolve's ever increasing NLE abilities to gradually move over. Particularly as I was using it increasingly more.

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    • AOTG
      VFX

      Now Showing Cinefex 164

      April 18, 2019, 9:31 am
      Spring is here, and it reminds me that, for Cinefex, every year is a bifurcated one. Roughly, the six-month period of April through September brings with it the release of many large-scale, effects-heavy movies – the kind of movies that are our raison d’être. In contrast, the six months between October and March offer up a very different – shall we say, ‘more serious’? – type of film, those in which Nicole Kidman’s fake nose piece in The Hours is the most effects-y thing on the menu. Those are the ‘What the heck are we going to cover?’ months for us – not always, of course (thank you, movie gods, for the Lord of the Rings trilogy, Interstellar and First Man) – but often.

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