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October 17, 2012, 11:12 pm
"The Minority Report" was a great movie and we all hope that in the future we will be able to control our computers using gestures. If you own a Mac and want to use gestures to, for example, control Final Cut Pro, now you can! There's a very nice tool on the web called "BetterTouchTool" and it adds tons of new gestures to your pointing device.
December 23, 2009, 5:52 am
Through both film editing and sound design, Walter Murch has worked literally behind the scenes of Hollywood to give shape and structure to the films we see. In the process, he's won three Academy Awards; he's directed his own feature-length film, the creatively subversive Return to Oz; and he's worked with some of the greatest directors of modern times, including Francis Ford Coppola and George Lucas, on some of their greatest films, from The Godfather trilogy and Apocalypse Now to...
December 23, 2009, 5:51 am
Some filmmakers simply tell a tale and use editing, camera and sound to portray it as artfully as possible. The editing remains mostly invisible in their hands as we become absorbed in story, place and characters. Directors Steven Spielberg, Ang Lee, and James Cameron fit this description. Other directors - Quentin Tarantino, Jean Luc Godard (and others in the 1950s French New Wave) Martin Scorsese, Francis Ford Coppola, Mel Brooks...
December 23, 2009, 5:49 am
This is the second of several episodes covering a workflow for using Red Digital Cinema Cameras with your Avid editing application. In this episode, we’ll take a sequence that was offline edited in Avid Media Composer and onform it to 4K DPX files for grading. For this, we’ll use Monkey Extract. Sorry for being late with this one, but I was not at home and couldn’t remote into my computer to upload the podcast. My bad.
December 22, 2009, 5:48 am
The UCLA Film and Television Archive and American Cinema Editors (A.C.E.) present "Film Editing: The Invisible Cut" with author Bobbie O’Steen in discussion with film editor Carol Littleton, on Sunday, January 10, 2010, 7 p.m., at the Billy Wilder Theater, 10899 Wilshire Boulevard, Los Angeles, along with screening of the 1981 film noir "Body Heat." Littleton was interviewed in O’Steen’s book, "The Invisible Cut: How Editors Make Movie Magic" and will talk about her work on "Body Heat,"...
December 21, 2009, 5:45 am
February 17th and 18th in Universal Hilton, Universal City, CA This conference and expo will shape the standards and explore the urgent global issues of digital asset management in the entertainment and media sector. This two day professional conference is comprised of keynote presentations, expert panels, and educational sessions from technology leaders and industry insiders. The event also features an expo floor of exhibitors and industry sponsors providing a unique opportunity to explore spe
December 21, 2009, 5:45 am
When FCP hit the world back in 1999 the program was regarded as a video editing application. For those wishing to work with film, and match the negative to the edit produced within Final Cut, this was a formidable challenge. Those at a Los Angeles based edit facility known as DigitalFilm Tree were pioneers who broke through the wall of expensive post production and made film editing using FCP possible. Ramy Katrib, Founder and CEO of DigitalFilm Tree, was instrumental in making this happen...
December 21, 2009, 5:44 am
When Walter Murch was investigating using Final Cut Pro to edit Cold Mountain, he and his assistant, Sean Cullen, visited a Los Angeles post facility known as DigitalFilm Tree to see what was possible. This resulted in a $999 piece of software being used to edit an eighty million dollar feature film.
December 20, 2009, 5:43 am
The Motion Picture Editors Guild has announced their new board member line up. Their board includes editors Maysie Hoy, Pam Wise and John Lafferty. It also has Assistant editors, sound editors and more. Check out the editors guild site to find out more!
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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