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July 5, 2010, 1:58 pm
Dede Allen discusses her emotional engagement with the characters of her work.
February 19, 2021, 1:45 pm
In researching some rental gear and resources for an upcoming project, I found myself falling down a VFX rabbit hole. There is a sequence in a upcoming project that will be relatively VFX heavy, and I wanted to find the best way to not only shoot the sequence, but also to assemble stock video elements, models, assets and textures. Then with that I would also know what remaining elements I would need to be create from scratch.
February 19, 2021, 1:45 pm
Framestore announced the appointment of Thomas Montminy Brodeur as VFX supervisor, further bolstering the company’s episodic offering under New York managing director, Charles Howell. With 15 years of industry experience, Brodeur will be charged with developing methodologies and maintaining high-end image quality across a variety of episodic projects.
February 19, 2021, 1:45 pm
In this free video tutorial, brought to you with the support of Avid, Julian Rodgers introduces the S1 for those who have yet to experience how this brilliant little control surface works.
February 19, 2021, 1:44 pm
IK Multimedia are giving away a sample-based virtual instrument version of the legendary MemoryMoog analogue polysynth to all existing and new mailing list subscribers. Get this instrument before February 26th to avoid missing out.
February 17, 2021, 1:09 pm
Each camera has a unique “color science” which, simply put, is a way how captured light translates into an image. With film cameras, color science was specified by the type of film stock used, nowadays it is a combination of the image sensor and image processor. It is quite common that manufacturers of digital cinema cameras provide a free library of creative looks that are designed specifically for their cameras. These looks (in form of Look-Up-Table files) ensure that the colors in the RAW or Log image get translated correctly. This helps for on-set monitoring as well as color grading in the post-production.
February 10, 2021, 1:57 pm
It was a lot of fun to participate in WIRED's "Support" series for YouTube. Named "VFX Support", I do my best to answer actual questions from actual movie fans, and not sound like a complete idiot while doing so!
February 10, 2021, 1:57 pm
Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about how Pixar animated real-looking lighting in their latest film, Soul.
February 10, 2021, 1:57 pm
Bridgerton has captivated audiences since its release on Netflix, showcasing a different kind of perspective on Georgian London.
February 10, 2021, 1:57 pm
The Visual Effects Branch Executive Committee from AMPAS has determined the shortlist for the race to the VFX Oscar.
February 9, 2021, 6:09 pm
John T. Miller has over 30 years of experience in visual effects. He has worked in many studios before joining FuseFX in 2016. As a VFX Supervisor, he has worked on shows such as The Blacklist: Redemption, Sneaky Pete, Tell Me a Story and The Enemy Within.
Editor Sam Rice Edwards joins us from the UK to discuss his work on the Youtube documentary Life In A Day 2020.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
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