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  • AOTG

    DGC Award Nominees for Editing

    July 9, 2010, 9:13 am
    The Directors Guild of Canada has released their nominations for awards for editors.
    Congratulations to all the C.C.E. members who have been nominated in the
    2010 DGC awards:



    Best Feature Film


    Teresa Hannigan, C.C.E. - "Cairo Time"

    Susan Shipton, C.C.E - "Chloe"



    Best T.V. Movie, Mini Series


    Mike Lee, C.C.E. - "Keep Your Head Up Kid: The Don Cherry Story"



    Best T.V. Series, Drama


    Teresa Hannigan, C.C.E. - Flashpoint - "One Wrong Move"



    Best T.V. Series, Comedy


    Michael Pacek, C.C.E. - G-Spot - Eps. 302 "Mumble Jumble"

    Paul Winestock, C.C.E. - Less Than Kind - Eps. 201 "Third Death's a Charm"



    Best T.V. Series , Family


    D. Gillian Truster - Degrassi: The Next Generation - Eps. 917 "Innocent
    When You Dream"

    Jane Morrison, C.C.E. - Heartland - Eps. 304



    ALLAN KING AWARD FOR EXCELLENCE IN DOCUMENTARY


    Nick Hector, C.C.E. - The Experimental Eskimos



    BEST PICTURE EDITING - FEATURE FILM
    Kathy Weinkauf - Leslie, My Name is Evil

    James Bredin, C.C.E. - A Wake


    BEST PICTURE EDITING - TV MOVIE/MINI-SERIES


    Ron Wisman Sr., C.C.E. - Too Late To Say Goodbye

    Mike Lee, C.C.E. - "Keep Your Head Up Kid: The Don Cherry Story"



    BEST PICTURE EDITING - TV SERIES


    Gareth Scales - Flashpoint - "Good Citizen"

    Jeff Warren, C.C.E. - The Bridge - Eps. 109

    Paul Winestock, C.C.E. - The Border - Eps. 305 "Missing in Action"




    And congratulations to all our other C.C.E. members who are nominated in
    the team categories:

    Matt Anas

    Todd Buttenham

    Michele Szemberg

    Paul Whitehead



    Congratulations also to C.C.E. sponsor/ board member Jane Tattersall and
    Tattersall Sound & Picture for their nominations.



    Good luck to all!




    The Canadian Cinema Editors is a professional association aimed at
    improving the knowledge and profile of the craft of film editing,
    recognizing the craft as primary storyteller after principal photography
    is complete.

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  • Other Postings By Member

    • AOTG
      VFX

      Body of Work: Rodeo FX on how it crafts crowds

      October 23, 2020, 12:43 pm
      So far in befores & afters’ Body of Work series, we’ve looked at creatures, robots, fluid sims and face replacements. Now we’re diving into crowds with Rodeo FX, and their particular challenges faced on the projects Now You See Me, Game of Thrones and Fantastic Beasts: The Crimes of Grindelwald.

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    • AOTG
      SOUND

      Friday Free Plug-in - Dirty Filter From BPB

      October 23, 2020, 12:43 pm
      This week we are featuring Dirty Filter from Bedroom Producers Blog. It features a pair of resonant filters and emulated analogue tube circuitry. You can use the BPB Dirty Filter in your favourite DAW to add some subtle colouration or to crush the audio signal into pieces.

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    • AOTG
      VFX

      One of Us VFX Sets the Italian Scene for HBO’s

      October 23, 2020, 12:43 pm
      Theo Demiris and his team created a variety of Italian environments, from marshland to an Army base, while in lockdown, for Academy Award-nominated Luca Guadagnino’s series about two American kids living at a U.S. military base in Italy.

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    • AOTG
      EDITING

      Adobe tries using AI to fix blurry video footage

      October 22, 2020, 12:41 pm
      Between things like camera shake and poor lighting, the videos you take with your phone, DSLR or mirrorless camera can end up blurry for any numbers of reasons. Worse yet, it’s difficult to sharpen a photo or video after the fact, and more often than not, the results don’t look great. However, with the help of AI, Adobe thinks it may have the solution for blurry photos and videos.

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    • AOTG
      VFX

      THE UMBRELLA ACADEMY - Season 2: VFX Breakdown

      October 21, 2020, 4:03 pm
      Let’s have a look at the invisible work by Pixomondo on the second season of THE UMBRELLA ACADEMY...

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    • AOTG
      EDITING

      RECAP: Adobe MAX 2020 - Day 1

      October 21, 2020, 4:03 pm
      Yesterday marked the first day of Adobe MAX 2020, this year taking place entirely online and free to access for all. I’ve been lucky enough to be invited to cover the event the past two years and this time was no different (although obviously, from the comfort of my apartment).

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    • AOTG
      EDITING

      Scanline VFX Adds Veterans Derek Spears and Nicola

      October 21, 2020, 12:25 pm
      Long-time VFX supervisors join studio’s Los Angeles and Vancouver offices, respectively; company bolsters team to deliver upcoming projects including ‘Eternals;’ ‘The Suicide Squad;’ ‘The Batman;’ ‘Lisey’s Story;’ ‘Fengshen Trilogy;’ ‘The Jade Earring;’ and ‘The Nevers.’

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    • AOTG
      EDITING

      What's new in Adobe Premiere Pro from Adobe MAX? T

      October 20, 2020, 4:23 pm
      Adobe MAX is here so that must mean another update to Adobe Premiere Pro. I know what you’re thinking… didn’t Adobe just have a big update? Yes, they did, the September release. With that release, we got Scene Edit Detection and some new beta stuff. This MAX release gives us more beta stuff and some early access. I guess technically this isn’t a new release of the shipping version then and more of a look at features down the road.

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    • Episode 269 — Andrey Lebrov
      VFX

      Episode 269 — Andrey Lebrov

      October 20, 2020, 12:47 pm
      Andrey Lebrov is a CG and VFX Director, as well as a Co-Founder of Out of Nothing, Ltd.

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    • AOTG
      VFX

      ILM’s Dennis Muren to Receive VIEW 2020 Visionar

      October 20, 2020, 12:45 pm
      VIEW Conference has just announced that its 2020 Visionary Award is being presented to Industrial Light & Magic senior VFX supervisor and creative director, Dennis Muren, who will participate in his own keynote Q&A on the conference’s final day. Part of the core visual effects team that worked on the original Star Wars, Muren was at the forefront of the digital effects revolution with his groundbreaking work on The Abyss, Terminator 2: Judgment Day and Jurassic Park. At ILM, the nine-time Oscar winner continues to steer the evolution of the company while championing new effects techniques and technologies.

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