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October 22, 2012, 9:34 pm
For the past few months, we've been working with the incredible team at Red Giant to help create new tools and effects for Final Cut Pro X. Today we're excited to announce Red Giant Retrograde. Retrograde features 12 different 8mm and 16mm film looks. Created from real analog source material, Retrograde emulates the color, grain and dammage from 60s and 70s era films and home movies. Retrograde allows you to completely customize your look, from the amount of individual film artifacts to the style of grain. Simply drag and drop Retrograde on to your clip to see the results. We...
February 17, 2014, 6:56 pm
The corporate video sector doesn’t exactly have a reputation for being wildly exciting. It’s often associated with dreary talking heads, tedious soundtracks and uninspiring camera work. At Tech TV we’re all about staying far away from that image. We’re an award-winning video production company based in the UK. We specialise in corporate videos that look great as well as being short, shareable, and straight to the point. We often work to tight deadlines and have multiple projects on...
October 9, 2013, 6:50 pm
Web series MTV Voices focuses on MTV’s global network of millennial journalists reporting on the subjects and issues that affect their everyday lives. MTV Voices editor Thomas Arnold took time to talk with us about his experiences with MTV Voices and Final Cut Pro X. With content delivered from all over the world how does everything come together for MTV Voices? What does your average workflow look like? It’s a bit chaotic really. MTV Voices is based in New York and London. I am based in...
June 20, 2013, 4:54 pm
Two years ago, I announced on this blog that we were betting our business on FCP X. Here's what happened. But first, a quick bit of history. The Days of Dinosaurs 2010 In 2010, there were are a small handful of tiny companies making Master Templates for FCP 6/7.
April 25, 2013, 3:03 pm
In episode number 113 of the Digital Convergence Podcast, we talk about the following: March 27, 2013, Atlanta Cutters to feature Marc Solorio (BMCC camera) and Rob Ashe (Conan Show editor)...
April 12, 2013, 5:49 pm
In this episode of the Digital Convergence Podcast (#112): planet5d.com acquires Cinema5d forums Is there a problem with long record times on the Canon 5D Mark III Do you have what it takes to put yourself out there as a visual artist?
April 3, 2013, 4:08 am
While color timing on “Amistad,” Dale Grahn recalls the first time he met Steven Spielberg. Check out our entire series of Dale Grahn interviews here. Take a look at Dale Grahn Color for the iPad at dalegrahncolor.com to learn color timing from Dale himself.
March 5, 2013, 8:05 pm
Dale Grahn's resume as a color timer is impressive. He's worked extensively with Steven Spielberg and Francis Ford Coppola. He must have one of the longest list of films under one name in the IMDB database! Dale talks about the craft of color timing feature films. We get the inside scoop on...
March 4, 2013, 5:37 pm
Dale Grahn explains how the iconic look of “Saving Private Ryan” came about in a strange manner. We have an entire series of interviews with Dale based on his work in the film industry. To check out each of those, click here. To see Dale in action, check out Dale Grahn Color for the iPad at dalegrahncolor.com.
February 28, 2013, 8:46 pm
Dale Grahn on color timing “The Ring” by not creating “looks” and focusing instead on what makes things creepy. To learn more from Dale, check out our app Dale Grahn Color for the iPad at dalegrahncolor.com.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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