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February 15, 2012, 11:49 pm
This tutorial is all done in FCPX 10.0.3 (Trial) on MacOS LION 10.7.3 IMPORTANT READ THE REST AFTER U WATCH THE VIDEO … U WILL LEARN MORE DOING THAT! GO TO VIMEO AND WATCH IT IN 720p HD here some of basics: - work on the sound even for the 1st rough edit - continuity...
September 26, 2011, 11:48 am
so is Media Stems Export a OMF replacement ??? … apple says: Traditional, track-based editing systems require you to constantly rearrange and disable tracks to export audio and video stems. With the latest version of Final Cut Pro X, flexible metadata removes the burden of track management. Use the new Roles tag to label clips...
July 18, 2011, 9:11 am
Well I'll try o keep it brief It goes back too my audio-roots, i used a lot of different Headphones from cheap to expensive ... all kinds of brands. My favorites so far: Beyerdynamic DT 770 PRO Beyerdynamic DT 250 SONY MDR-7506 Sennheiser HD 650 Sennheiser HD 201 Oh BTW I’m not a fan of...
June 5, 2011, 12:56 pm
well that is just a rough cut - kinda ... just a assembly of the footage that is useful for that event/party trailer, to the music we composed. there will go some more work into it (text & little animation stuff) ...feedback appreciated
January 2, 2011, 2:03 pm
well its been a great year ... so much fascinating and challenging projects, so much great ppl i've met ... so thank you all... especially all the ppl behind "the art of the guillotine" and all users... HAPPY NEW YEAR ... so that way my 2010:
December 26, 2010, 4:41 pm
well i noticed a strange "mono-like" sound coming out of iTunes lately ... so today i did "investigate" it closely and discovered that this is really an issue that is yet to fix by Apple – even with the "recently " published update to version 10.1+ ...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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