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  • How to become an Assistant Film Editor

    How to become an Assistant Film Editor

    November 3, 2012, 11:19 am
    How to become an Assistant Film Editor If you’re interested in learning how to become an assistant editor then there are quite a few resources out there to help you get started, or at least open you up to other … Continue reading →

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  • Other Postings By Member

    • Avid Media Composer 6 in Action
      EDITING

      Avid Media Composer 6 in Action

      August 24, 2012, 3:27 pm
      Cutting Bourne Legacy on Avid John Gilroy is the brother of director Tony Gilroy and editor of films like Michael Clayton, Warrior and Salt. In this interview by Oliver Peters, John discusses the post production workflow he used for the latest...

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    • RED Workflow - FCP7 to Resolve to FCPX
      EDITING

      RED Workflow - FCP7 to Resolve to FCPX

      August 22, 2012, 2:27 pm
      Indie feature film RED workflow FCP.co has a great write up of one indie feature's RED workflow that involved roundtrips from Final Cut Pro 7 through Resolve and back to FCP X. Nick Gregorio finished his 80 minute low budget...

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    • How To Edit Film Trailers
      EDITING

      How To Edit Film Trailers

      August 21, 2012, 9:00 pm
      Cutting Film Trailers Recently director Joe Carnahan uploaded this sizzle reel for the (18/NC-17) version of DareDevil that he was trying to persuade the studios to let him make. More interesting to me than the DD film premise, was the trailer...

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    • 5 books for creatives everyone should read...
      EDITING

      5 books for creatives everyone should read...

      August 16, 2012, 9:29 pm
      There are a small selection of books that I keep recommending to people (creatives and 'non-creatives' alike – in my mind everyone is creative in some way) that I think are worth reading whatever field you are in. To me a...

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    • The Psychology of a Scene
      EDITING

      The Psychology of a Scene

      August 15, 2012, 3:05 pm
      Crafting your edit Moviola.com has weekly webinars (free at the time, paid for on demand later). They also do an interview with the presenter each week, which you can listen to for free on their podcast. In a recent webinar...

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    • Filmmaking from an editors perspective
      EDITING

      Filmmaking from an editors perspective

      August 15, 2012, 9:41 am
      AVID Rough Cut Interviews Avid Rough Cut has 40 episodes under its belt. They feature in depth interviews with filmmakers and editors on their craft, careers and insights on the world of filmmaking from a post production point of view...

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    • Anatomy of an Action Scene
      EDITING

      Anatomy of an Action Scene

      August 13, 2012, 3:12 pm
      Shot by Shot – Cutting an Action Scene In this great three part video essay Jim Emerson dissects the structure of several action scenes from The Dark Knight, Salt and The French Connection among others. He highlights how films like TDK plays havoc with the...

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    • Anatomy of a grade - node by node breakdown
      EDITING

      Anatomy of a grade - node by node breakdown

      August 12, 2012, 12:21 pm
      Node by node breakdown of a grade Colorist Chris Hall from Basher Films has created nine episodes of 'Anatomy of a grade' which provides a creative look at some of his grading work. In this episode he provides a node by...

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    • A.C.E. Editors on their craft...
      EDITING

      A.C.E. Editors on their craft...

      August 8, 2012, 4:59 pm
      American Cinema Editors share their wisdom Cinema Editor Magazine, the official magazine of ACE,  has a great selection of articles and interviews from its editors – for which you'll have to shell out the extremely reasonable USD5 annual subscription fee.

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    • Edit Fest LA (The view from the Internet)
      EDITING

      Edit Fest LA (The view from the Internet)

      August 6, 2012, 8:41 pm
      Edit Fest LA – An outsiders view Living in London there was very little way for me to get to LA for it but thanks to the mighty internet, and some gracious tweeters here is a round up of what...

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