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January 5, 2018, 8:18 am
Is it possible to apply audio fades to a group of clips all at once in FCPX? Yes, from the 10.3 update, batch cross dissolves between multiple clips has been possible, just a GUI bug gets in the way.
January 3, 2018, 10:29 am
First article of the New Year and it's one that a lot of people have asked for, real statistics on the Apple Pro Video Apps running on a new iMac Pro. Ben Balser had a new machine arrive just in time for the holiday break. He gave it a good test, it's fast, but it's not all great news.
December 21, 2017, 5:48 pm
There hasn't been one for a while, possibly because the 10.4 update came out slightly later than expected, but.. Here is the latest Final Cut Pro X Virtual User Group video recording.
December 18, 2017, 6:21 pm
Completely inspired by a great thread on our popular Forum, we take a quick look at some of the lesser-known, but still important new features and improvements in the FCPX 10.4 update. You did know you could do GIFs from the timeline didn't you?
December 14, 2017, 9:27 am
The updates we have been waiting for are finally here. We take a look a the new features of Final Cut Pro X, Motion and Compressor and put the software through some tests. We publish information on the new features, the test results, the recommendations and the gotchas.
December 12, 2017, 1:56 pm
A few lucky individuals have had the opportunity to test out the new iMac Pro before the official launch. Vloggers Marques Brownlee and Jonathan Morrison give their first impressions of the fastest Mac ever built.
December 8, 2017, 7:02 am
It's nice to follow up our collection of free tutorials with the news of a new Final Cut Pro X training course. Jason Cox has announced five and a half hours of FCPX training on Pluralsight
December 4, 2017, 12:44 pm
It should really be called 'Novemeber's big tutorial roundup' seeing as we are only just in December, but still a good title for a list of great learning resources. Let's hope we can get another one in before Christmas!
November 30, 2017, 1:19 pm
AC/DC, Coldplay, The Rolling Stones, Robbie Williams, Metallica, David Gilmour, Duran Duran, Placebo, Dixie Chicks, Zipperface, Beyoncé, Björk… You name them, James Tonkin has worked with them. In this extensive interview, he talks about the gear he takes on the road to shoot and edit concerts of the world’s greatest bands, and about his new high-end post house in London. A good read for anyone who is interested in camera gear and post production technology.
November 22, 2017, 7:05 am
Near-live broadcast editing is one of the craziest jobs in our business. You constantly work under high pressure, ingesting, organizing, editing and finishing you program while the event is still going on. And your edit needs to be ready to air as quickly as possible while you have to comply with the highest quality standards. This requires a well-oiled team of very experienced people using hardware and software that is both fast and absolutely reliable. Because there are no excuses.
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
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