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November 8, 2012, 12:36 pm
Sibelius 7 included new options for importing and using graphics directly in your score. These graphics can be placed anywhere in the music as benign objects, for which the color, rotation, size and even drawing order can be adjusted from right within Sibelius. This alone is terrific, but you can even make a graphic more...
September 25, 2012, 3:34 pm
Try Media Composer Free for 30 Days - goo.gl Welcome to Getting Started with Media Composer 6 and Avid Symphony 6 for Final Cut Pro users. In a few short videos you'll have everything you need to get up and editing with Media Composer or Symphony. We'll explore topics like basic editing, trimming, using the Smart Tool, adding and customizing effects, performing basic color correction, using Final Cut key commands, and more. We'll even show you how to bring existing Final Cut Pro projects into the Avid, complete with transitions and nested sequences, using third party tools.
September 21, 2012, 7:27 am
Avid DS is a full-featured editing, graphics creation, color correction, and compositing solution, and is the absolute best conforming tool for Media Composer and Symphony to create and deliver high-end content. Save time and money by keeping all editing and finishing in house. Choose the low cost software-only version to use with your existing hardware...
September 21, 2012, 7:27 am
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available to everyone in the facility or the field in one simple, transparent process.
September 19, 2012, 3:08 pm
Baselight for Avid 14-day trial - goo.gl Baselight for Avid enables you to quickly add high quality color corrections to your shots in either Media Composer or Symphony, using a comprehensive subset of the powerful grading tools and other features available on full Baselight systems. Learn more about Baselight for Avid www.filmlight.ltd.uk Learn more about the Media Composer Family www.avid.com...
September 16, 2012, 5:05 pm
The DNxHD license key enables in-camera recording of 1920 x 1080 (16:9) Avid DNxHD encoded MXF files onto SxS PRO cards. It is free of charge and pre-installed on all ALEXA Studio cameras. The DNxHD recording option can be activated and de-activated by loading or deleting the license file on the camera. With an installed DNxHD license key, ALEXA users can choose between MXF/DNxHD and QuickTime/ProRes recording. Learn more about the ARRI ALEXA License for DNxHD alshop.arri.de Learn more about...
September 16, 2012, 8:26 am
Media Composer 6 - Building ProRes PipelinesTry Media Composer free for 30 days - goo.gl Upgrade to Media Composer 6 - goo.gl You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we'd like to show you Media Composer/FCP double agents—and those looking to expand your workflow—how fast and easy it is to work with ProRes using the latest Media Composer family software.
September 11, 2012, 10:02 pm
More news to share with you from IBC 2012. This week Avid announced that the NewTek TriCaster 8000 now offers support for Avid's EUCON protocol, enabling content creators to use Avid Artist Mix to take deep, hands-on control over the audio features of NewTek's live production system. This announcement reinforces Avid's commitment to driving openness across the industry by adding another leading professional software solution to an expanding list of EUCON-enabled products from companies such as Adobe...
September 7, 2012, 3:19 pm
Latest advances let media organizations accelerate and simplify the implementation of media asset management workflows
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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