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November 12, 2012, 5:07 am
"Ok, I'm drawing a line in the fucking sand. Do NOT read the Latin!" — Marty. A history of violence writ in blood. Millennia of human cruelty billow out into a quiet void: torture, murder, ritual sacrifice, untold suffering, fresh coffee... Huh? The images of savage protocol and hematic ceremony are jarringly replaced by an all too familiar scene: a hot cuppa joe and the morning commute of two government employees.
October 12, 2017, 5:44 am
Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...
July 14, 2017, 5:37 am
The 2017 Emmy nominations were announced on July 13th, including the nominees for this year’s Outstanding Main Title Design award. Studio Elastic continues its four-year nomination streak, earning three nominations this year for the openings of Starz’s American Gods, Netflix’s The Crown, and HBO’s Westworld. This is the most nominations for a studio or individual since title designer Billy Pittard earned four nominations in 1997. Elastic previously won the title design Emmy in 2016 f...
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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