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  • News! A video essay on constructive editing

    News! A video essay on constructive editing

    November 12, 2012, 10:04 am
    DB here: In connection with our textbook, Film Art: An Introduction, we’ve created several videos examining film techniques. Thanks to Peter Becker and Kim Hendricksen of Criterion Classics and Janus Films, we’ve been able to include clips from film classics, from Ashes and Diamonds to Ugetsu Monogatari. Because our publisher McGraw-Hill sponsored the production of...

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  • Other Postings By Member

    • ON THE HISTORY OF FILM STYLE goes digital
      EDITING

      ON THE HISTORY OF FILM STYLE goes digital

      June 1, 2018, 4:35 am
      Dust in the Wind (1986). DB here: I was born to write this book. So I rashly claim in the Preface to the new edition of On the History of Film Style. That’s not to say somebody else couldn’t have done it better. It’s just that the book’s central questions tallied so neatly with my […]

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    • Eisenstein makes a scene: IVAN THE TERRIBLE Part I
      EDITING

      Eisenstein makes a scene: IVAN THE TERRIBLE Part I

      April 30, 2018, 5:47 am
      For Yuri Tsivian DB here: Everyone knows Eisenstein as a theorist and practitioner of something called montage, which in his hands comes to mean a lot of things. But he was no less interested in what he called expressive movement. He believed that the viewer could be aroused by dynamic physical action that carried powerful […]

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    • Everything new is old again: Stories from 2017
      EDITING

      Everything new is old again: Stories from 2017

      January 6, 2018, 1:23 pm
      Silence. DB here: This is a sequel to an entry posted a year ago. Like many sequels, it replays the ending of the original. I don’t want to leave the impression that as I’m watching new release a little homunculus historian in my skull is busily plotting schema and revision, norm and variation. I get as […]

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    • Patchwork imagination: Lee Kwangkuk’s framed and
      EDITING

      Patchwork imagination: Lee Kwangkuk’s framed and

      December 10, 2017, 1:45 pm
      Romance Joe (2011). DB here: Seeing Hong Sangsoo’s The Day a Pig Fell in the Well at the 1997 Hong Kong Film Festival didn’t convince me that he was a major talent. That happened two years later, when I saw The Power of Kangwon Province at the same event, and again at Cinédécouvertes in Brussels. […]

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    • Camera connections: RED on FilmStruck: A guest pos
      EDITING

      Camera connections: RED on FilmStruck: A guest pos

      May 3, 2017, 4:52 am
      Red (1994). Jeff Smith here: FilmStruck’s latest installment in our Observations on Film Art series presents me talking about Krszystof Kieslowski’s late masterpiece, Red (1994). In the film’s final scene, chance and fate combine to bring a couple together. My comments trace how a cluster of cinematographic techniques has indicated the couple’s connectedness long before they become aware […]

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    • Wisconsin Film Festival: Cutting to the chase, and
      EDITING

      Wisconsin Film Festival: Cutting to the chase, and

      April 13, 2017, 5:08 am
      Nocturama (2016). DB here: Despite my recent jab at D. W. Griffith, I gladly give him credit for making crosscutting a central technique of narrative cinema. Using editing to switch our attention from one story line to another is a fundamental resource of moviemaking everywhere. Crosscutting is most apparent in those passages of quickly alternating shots […]

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    • How LA LA LAND is made
      EDITING

      How LA LA LAND is made

      January 23, 2017, 8:06 am
      La La Land (2016). The formal method is fundamentally simple. It’s the return to craft (masterstvo). Viktor Shkovsky, 1923 DB here: Not how it was made. We’ll get “The Making of La La Land” as a DVD bonus, and there are already behind-the-scenes promos. No, this is about how it is made. On this site, […]

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    • Friendly books, books by friends
      EDITING

      Friendly books, books by friends

      December 11, 2016, 9:39 am
      Moses and Aaron (1974). DB here: When the stack of books by friends threatens to topple off my filing cabinet, I know it’s time to flag them for you. I can’t claim to have read every word in them, but (a) we know the authors are trustworthy and scintillating; (b) what I’ve read, I like; (c) […]

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    • ARRIVAL: When is Now?
      EDITING

      ARRIVAL: When is Now?

      November 24, 2016, 7:15 am
      Arrival (2016). DB here: A lot of today’s movie storytelling is nonlinear. Filmmakers rely on flashbacks, replays, and voice-overs in order to shape our experience, sometimes in fairly daring ways. In Hollywood these strategies got consolidated in the 1940s. Or so I argue in my Reinventing Hollywood, now in copy-editing (or as the University of Chicago Press calls it, […]

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    • Eep, omigosh, urk, smerp, and other Archie epithet
      ANIMATION

      Eep, omigosh, urk, smerp, and other Archie epithet

      October 22, 2016, 3:15 pm
      DB here: Not all cinephiles are comics fans, but quite a few are. I guess it’s partly a matter of the Adolescent Window, and partly an intuition that both are forms of what Will Eisner calls “sequential art.” For my part, a Boomer childhood spent with Nancy and Little Lulu and Scrooge McDuck was followed […]

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