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July 29, 2010, 9:43 am
Having edited professionally for more than a decade now, I have watched the editorial landscape change dramatically in terms of clients' expectations—especially in the realm of commercial editorial. I believe the demand for faster turnarounds and better-looking offline edits is directly related to how we perceive and embrace today's world of high-end desktop applications and high-tech devices. The assumption is, and it is a correct assumption, that since editorial tools (in my case Avid)...
June 8, 2009, 6:51 pm
From the USA comes: Post Production Standards a blog about maintaining film editing standards. It primarily civers post technology a lot but is a great resourse. Its contributors are: Justin Bourret, Scott Janush, Carrie Puchkoff, Dan Ward and Sharon Smith Holley.
June 8, 2009, 1:52 pm
BURBANK — For those of you who might not have pre-teens, teenagers, children of any age, a television set or computer, Hannah Montana is a Disney Channel show featuring Miley Cyrus as a teenage girl who leads a secret life as a rock star when not attending school and hanging out with her friends.
June 6, 2009, 1:50 pm
David Rennke has been an editor for more than 20 years and has used every editing system imaginable—but always finds himself gravitating back to Avid. On his latest project, editing King Hollis’ independent film Pearl, Rennke used Avid Media Composer 3.0.5. He edited most of Pearl’s dailies on his laptop, on set, which made the process convenient and efficient. For finishing, he used Avid DS v.10 with DNxHD 220x. This allowed everything to work seamlessly and without any crashes—something...
Tom Cross and Gordon Burkell sit down to discuss the editing of Hostiles and how to work with footage to affect the pacing an ...
Gordon Burkell interviews Paul Machliss about timing and editing Baby Driver.
Gordon Burkell interviews Kenneth Branagh and Patrick Doyle about composing music and specifically composing the song Never F ...
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