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July 8, 2010, 3:54 pm
The UK’s Digital Vision (www.digitalvision.tv/products.aspx) and Seattle’s Automatic Duck (www.automaticduck.com/products) are offering interoperability between their toolsets with the integration of Nucoda, a color grading, finishing and mastering tool for film, television and commercial post, with Pro Export FCP, Automatic Duck’s export plug-in for Final Cut Pro.
July 8, 2010, 12:29 pm
With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I’ll show you how to link to AMA volumes, change the R3D source settings (such as ISO, color temperature etc.) within Media Composer, adjust the formatting and then transcode to DNxHD.
July 8, 2010, 12:25 pm
Adobe is shipping its much-anticipated Creative Suite 5. The video applications are available either as single products or bundled in the Master Collection or Production Premium suite. Most video editors will be interested in the latter, because it includes Premiere Pro, OnLocation, Encore, After Effects, Photoshop Extended, Illustrator, Adobe Media Encoder, Soundbooth, Flash Catalyst and Flash Professional.
July 7, 2010, 3:37 pm
Editor Don Zimmerman and Re-Recording Mixer Brad Engleking on Killer Workflows. If you’ve ever admired the craftsmanship that went into a film completed at Troublemaker Studios in Austin, TX — think the striking black-and-white styling of Sin City or the lovingly battered look of the Grindhouse omnibus film — you probably already know that Troublemaker’s impresario, filmmaker Robert Rodriguez, implements digital technology in ways that facilitate, rather than complicate, the creative process.
July 7, 2010, 10:53 am
It was only a few years ago that Avid, trying to win back the hearts and minds of customers who were abandoning them and going to Final Cut and other systems, adopted the motto: "We’re Listening." With the release of Media Composer 5, it’s obvious they didOne of the most anticipated releases in years, Avid’s re-realized Media Composer 5 is among the most robust, feature-laden and dynamic packages from the company in over a decade.
July 6, 2010, 9:29 am
Fortunately for Walter, he discovered at an early age that he had a gift for sound recording, even though he didn't take his youthful experiments seriously until after he had explored other paths, including architecture and oceanography. Always eager to push things and see what happens, he found himself in good company at USC film school, where he met George Lucas, another graduate student whom instructors identified as a troublemaker for daring to challenge cinematic conventions. Impressed...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
Bill Curso is a makeup artist with thirty plus years under his belt, he’s got three Oscar nominations with one win, fiv ...
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