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  •  Should I Give Final Cut Pro X Another Try?

    Should I Give Final Cut Pro X Another Try?

    November 14, 2012, 8:07 am
    Last nights Boston Creative Pro User Group meeting featured Abba Shapiro giving a run down on the new features in the 10.0.6 update to Final Cut Pro X.

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  • Other Postings By Member

    • Avid, Adobe, Blackmagic: Talking With Titans at NA
      EDITING

      Avid, Adobe, Blackmagic: Talking With Titans at NA

      May 4, 2018, 9:17 am
      As much as each year's NAB Show is about what's completely new, it's about hearing what's new from the industry's most enduring companies. Creative COW Contributing Editor Hillary Lewis sat down with representatives from three of the biggest titan companies in production and post -- Avid's David Colantuoni, Adobe's Laura Williams Argilla, and Blackmagic Design's Dan May -- to discuss the thought process behind their releases, what people might overlook, and their outlooks on the future of the industry.

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    • AOTG
      ANIMATION

      Freebie: Autodesk Sketchbook

      May 4, 2018, 9:17 am
      Now you can get powerful creative sketching tools for free. Autodesk has made the fully featured version of SketchBook free for everyone.

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    • AOTG
      EDITING

      Adobe Named a Leader in 2018 Gartner Magic Quadran

      May 4, 2018, 6:33 am
      SAN JOSE, Calif.--(EON: Enhanced Online News)--Adobe (Nasdaq:ADBE) today announced it has been named a Leader by Gartner, Inc. in the 2018 “Magic Quadrant for Multichannel Marketing Hubs” research report. Adobe placed furthest to the right in “completeness of vision.” The report evaluated 21 vendors, and Adobe was positioned in the Leaders quadrant. Evaluation criteria for “completeness of vision” included market understanding, marketing strategy, sales strategy, offering (product) strategy, business model, vertical/industry strategy, innovation and geographic strategy.

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    • GUARDIANS OF THE GALAXY VOL. 2: VFX Breakdown
      VFX

      GUARDIANS OF THE GALAXY VOL. 2: VFX Breakdown

      May 4, 2018, 6:32 am
      Nice VFX Breakdown by Weta Digital about their work on GUARDIANS OF THE GALAXY VOL. 2...

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    • Film Composer Chris Boardman
      EDITING

      Film Composer Chris Boardman

      May 4, 2018, 6:32 am
      My guest this week is television and film composer Chris Boardman, who was one of my first guests when I started this podcast 4 years ago. He was originally on episode #11.

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    • AOTG
      VFX

      Lost in Space VFX Breakdown

      May 4, 2018, 6:32 am
      Mackevision just posted a nice clean breakdown of its VFX for Lost in Space: mainly the ship itself, but also a bit of creature work.

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    • Jim Button and Luke the Engine Driver VFX Breakdow
      VFX

      Jim Button and Luke the Engine Driver VFX Breakdow

      May 4, 2018, 6:32 am
      RISE – This reel showcases the work created at RISE | Visual Effects Studios for the film Jim Button and Luke the Engine Driver.

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    • Faster, Together Presents Michael Ciono by Patrick
      EDITING

      Faster, Together Presents Michael Ciono by Patrick

      May 4, 2018, 6:32 am
      How many 4K TVs are on the shelves at Best Buy? Quite a few, right? You can pretty much pick up a 4K television for what it used to cost for a flat screen HD model. If you can recall, there was a time when shooting in 4K was possible, but it was difficult to deliver to 4K. Not so much anymore.

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    • Marvel’s 10 VFX Milestones that Led to ‘Infini
      VFX

      Marvel’s 10 VFX Milestones that Led to ‘Infini

      May 3, 2018, 4:31 pm
      It’s been 10 years since Robert Downey Jr. suited up as Tony Stark in the iconic Mark 1 armor in “Iron Man.” Back then the VFX had to look good to win over CG skeptic Jon Favreau, but Industrial Light & Magic stepped up and earned the first of eight Oscar nominations for Marvel.

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    • AOTG
      EDITING

      Resolve Tutorial - Importing FCPX Timelines

      May 3, 2018, 1:10 pm
      In our last lesson, in our look at getting up and editing in DaVinci Resolve, we looked at bringing in our Adobe Premiere Pro Timelines. In this lesson, specifically for our Mac editors out there, we’re going to look at how the process is similar coming from Apple’s FCPX into Resolve.

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