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August 4, 2010, 7:26 pm
It looks like this weekend’s Edit Fest LA event is sold out. SOLD OUT is the first thing on the ACE page when you click over to read about the event. If you were lucky enough to get your $349 in on time and secure your place at the event then it looks like you’re going to be in for a treat as scanning the itinerary for the event you see a lot of great editing names and a ton of shows and movies that the panelists have worked on.
September 16, 2017, 3:31 pm
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in Los Angeles. He has won and been nominated for several Australian Awards for The Great Gatsby, Wish You Were Here and Wolf Creek. He was also a part of the Oscar winning team for Mad Max: Fury Road. In this installment of Art of the Cut, Jason and I discuss his most recent feature, Stephen King’s IT.
September 16, 2017, 3:30 pm
Maya LT provides several ways to rig characters for animation, giving character riggers the most flexibility.
September 16, 2017, 3:30 pm
Ultimatte 12 will be demonstrated at IBC 2017, on the Blackmagic Design booth. Discover a new realtime hardware compositing processor that’s perfect for broadcast quality keying and much more.
September 16, 2017, 3:30 pm
The Sennheiser FOCUSMIC Digital is an on-smartphone microphone designed for video journalism and vlogging with iPhones. The microphone is directional and can be quickly orientated for a variety of filming scenarios with your front-facing or rear camera.
September 15, 2017, 1:35 pm
In our third look at MAGIX Vegas Pro we’re looking at a bit more depth when it comes to effects and adding some pizazz to your video. Like many other NLEs, Vegas Pro has a palette full of video effects (more can be added via the Vegas plug-ins) that can be applied using a clip by clip method. You can also apply effects to an entire track without using the adjustment layer way of working that some other NLEs use. But the design of Vegas takes effects one step further and lets you apply effects to the entire project which can give you more options during the edit. If you wanted to apply something like a vignette or color correction to the entire edit you could do that by applying the effect to the video master output.
September 15, 2017, 4:06 am
When audiences inevitably marvel at the computer-generated worlds in Guillermo del Toro's The Shape of Water and the Angelina Jolie-produced animated drama The Breadwinner, both screening at this year's Toronto Film Festival, it will be thanks in large part to Ontario's thriving visual effects community.
September 15, 2017, 4:06 am
If you don't have a streamlined post workflow, you can kiss efficiency and your sanity goodbye. Seriously, one of the best ways to make your life easier in post-production is by maintaining a well-organized workflow, one that not only allows you to work faster but one that also allows you to work smarter so you're not losing great shots and perfect takes in the chaos of post. In this video, Matti Haapoja of TravelFeels shares some insight on how to create and maintain an effective editing workflow by walking you through his process from start to finish.
September 13, 2017, 11:39 am
In this article, I’m going to get in and scratch the surface of RED’s new IPP2 workflow. The first thing that’s important to understand, especially if you’re new to RED’s cameras, is what exactly does IPP stand for? IPP is RED’s Image Processing Pipeline, which will help guide you and your image from when it hits the sensor, to when you see the final product on screen. What RED is doing with the move to IPP2 is to separate the technical process from the creative process, as well as improve image quality and workflow.
September 13, 2017, 11:39 am
The latest Adobe CC Update adds revamped responsive design features, intuitive motion graphics and new time-saving audio tools.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
Stuart joins Gordon to discuss A Series of Unfortunate Events for Netflix and what the difference is between working for Broa ...
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