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June 13, 2014, 7:45 am
We are pleased to announce the new Full Members of the Canadian Cinema Editors: Ricardo Acosta, C.C.E. Jamie Alain, C.C.E. Matthew Hannam, C.C.E. Charles Robichaud, C.C.E. Thank you to the Full Member Jury for their careful consideration of all the nominations.
May 21, 2014, 9:40 am
The Canadian Cinema Editors (C.C.E.) is proud to announce the recipient of the 2014 Lifetime Achievement Award, Debra Karen. Debra’s success as an editor began early on, as she was editor of the classic Ivan Reitman film “Meatballs”, for which she was nominated for Best Editing at the 1980 Genies. She was again nominated for
May 5, 2014, 9:29 am
The Sarnos – A life in Dirty Movies, a documentary directed by Wiktor Ericsson and edited by Canadian Cinema Editorsmember Dino Harambasic, is having its Canadian premiere at the Toronto Jewish Film Festival tonight at 9:15pm. For tickets & more info: http://tjff.com/film-info.php?id=2822&sortby&filterby
May 3, 2014, 12:42 pm
Hot Docs Canadian International Documentary Festival Awards were announced last night in Toronto. Congratulations to “Before the Last Curtain Falls”, Directed by Thomas Wallner, Produced by Kerstin Meyer-Beetz and Edited by Manfred Becker, C.C.E., winner of the Special Jury Prize – Canadian Feature Documentary. Full list of awards: http://www.hotdocs.ca/news/
April 26, 2014, 12:06 pm
A big congratulations to the Canadian Cinema Editors members nominated for 2014 Leo Awards: Nominated for Best Picture Editing in a Motion Picture: * Jeanne Slater for “Evangeline” * Lara Mazur, C.C.E., & Fredrik Thorsen for “Sitting on the Edge of Marlene” Nominated for Best Picture Editing in a Television Movie: * Gordon Rempel, C.C.E., for “Romeo Killer:
April 16, 2014, 12:58 pm
Effective Pre-Production: Collaboration Between the Cinematographer and Editor “Although the cinematographer and editor work in different phases of projects, by collaborating early, their synched efforts will result in a better final film.” Read the full article here: http://www.premiumbeat.com/blog/effective-pre-production-collaboration-between-the-cinematographer-and-editor/?utm_source=rss&utm_medium=rss&utm_campaign=effective-pre-production-collaboration-between-the-cinematographer-an...
April 1, 2014, 12:44 pm
The future of digital magazine format is here. The Assembly offers fully integrated multi-media capabilities, for your enhanced and deeply profound reading experience. What does this mean? Imagine being able to dig deeper into a subject of your choosing, with one touch. We’ve done it. With The Assembly, each article connects to over 45,000 online resources, blogs, and audio/video
March 28, 2014, 3:23 pm
Registration is now open for three Canadian Cinema Editors workshops this spring at VIVO Media Arts Centre, Vancouver: Documentary Editing, Intro to After Effects and Assistant Editing. Please see link below for more info & to register: http://www.cceditors.ca/workshops/vancouver/
March 19, 2014, 3:28 pm
Since 1950, The American Cinema Editors (ACE) has been the honorary society of film editors dedicated to the advancement of the editing craft and to the conviction that the editor is one of the significant authors of a film. This year, ACE is proud to bring you the 14th annual Invisible Art/Visible Artists event. On Saturday March
March 18, 2014, 3:27 pm
The Art of the Guillotine is launching a new interactive magazine this month called The Assembly, made for editors by editors. Sign up at http://www.aotg.com/assembly for: “Access to over 45,000 blogs, videos, and articles that compliment AOTG.com’s existing resources and are now integrated into each Assembly article, to make your reading experience truly in-depth, relevant and profound”
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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