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August 11, 2010, 1:06 pm
Directors, listen to me hear — it’s impossible to make a film by yourself. Not every idea you’re going to have is good, and not all good ideas are going to come from you. The best comments I’ve gotten from directors are when they turn to me after viewing my Editor’s Cut and say "Wow, there were some things in there that I never would have thought of myself. Thanks." Of course, that doesn’t mean that we’re going to use those ideas...
February 3, 2009, 11:16 am
Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text (.txt) file — break down the script into scenes and save each scene as a separate text file. Hint: Try to grab as much blank space at the top and bottom of a scene in order to have room for clip images.
February 2, 2009, 11:15 am
NEW YORK - The Mayor's Office of Film, Theatre and Broadcasting (www.nyc.gov/film) will present "Made in NY - Careers in Post-Production," two panel discussions featuring members of New York City's post production community. The events will take place on Monday, February 2nd and Tuesday February 3rd at Deluxe New York. Both are free and open to the public.
January 31, 2009, 7:15 am
Two more events have been added to the events Calendar. The first is AICE's Awards which will take place May 20th 2009 at the Beverly Hills Hotel in L.A. They are currently accepting entries. The other event is the SMPTE 2009: Annual Tech Conference and Expo which will take place Oct. 27-29, 2009 at the Hollywood Renaissance Hotel in Hollywood.
January 31, 2009, 7:12 am
Since first winning acclaim at the Toronto International Film Festival in September 2008, Danny Boyle’s Slumdog Millionaire has gone on to win the hearts of audiences the world over. It’s the tale of Jamal, a young boy from the slums of Mumbai, who becomes a national phenomenon when he wins India’s version of "Who Wants to Be A Millionaire?" The timeline of the movie, which relates each of Jamal’s game show questions to an instance in his troubled past, is a key to its popularity. The clever...
January 29, 2009, 7:12 am
The intricate film has nearly 600 visual effects shots and was shot using a range of source formats, including HDCAM and Super 35mm film. To help achieve its distinctive visual appeal, the film's conceptual art and design was created by a team of artists behind the Star Wars trilogy (Iain McCaig and Ninth Ray). The film was edited entirely in HD on four Avid Media Composer systems using the DNxHD codec.
January 28, 2009, 7:10 am
The first thing you need to do in this compression workflow is open Episode and navigate to the By Workflow templates folder and copy the iPod_H264_640x480 preset located in the iPod Video (Classic and Nano) templates folder within Devices. Select the preset and control-click to get a contextual menu; select Duplicate. You now have a preset called iPod_H264_640x480 copy. Double-click the preset to open it.
January 21, 2009, 7:04 am
In a study released in mid-2008, neuroscientists noted that certain styles of motion pictures are capable of exerting "considerable control over brain activity." In the study that used fMRI imaging to study neocortex response, researchers found that the level of control exerted was linked directly to the film’s editing and directing style.
January 21, 2009, 7:02 am
Using advanced functional imaging methods, New York University neuroscientists have found that certain motion pictures can exert considerable control over brain activity. Moreover, the impact of films varies according to movie content, editing, and directing style. Because the study, which appears in Projections: The Journal for Movies and Mind, offers a quantitative neuroscientific assessment of the impact of different styles of filmmaking on viewers' brains, it may serve as a valuable...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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