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August 11, 2010, 1:32 pm
There’s a statistic out there that states that it takes the average person 10,000 hours to truly master something. My husband and I did the math, and it averages out to a little over 5 solid years if you treated your training like a 40 hour/5 day a week job with no vacations or long weekends. The beauty of film is that we don’t only condense those years into a matter of minutes with a montage, but we also suspend our belief as far as how long it actually takes to get really good at something. There’s an interesting (and bittersweet) article about the social implications of the cinematic training montage here: http://www.cracked.com/article_18544_how-the-karate-kid-ruined-modern-world.html (note, the author can be crude, so if you’re not into that kind of humour then don’t read it). But until we remember that it’s a lot harder to master something than it looks, let’s enjoy the artistic aspects of the training montage.
January 18, 2012, 3:00 pm
As an interesting note, it was conveniently blocked by FOX just as the internet is on blackout strike today in solidarity against SOPA. American friends, please be aware that if SOPA passes, videos like this where I attempt to teach about film editing in a fun way will not be available anymore, even if I am in compliance with the Fair Use clause— in fact, I could be shut down, fined, and/or jailed without due process. If you like the internet and the ability to find information freely and easily, please educate yourself about this bill, and do whatever you can to stop it from passing!
September 21, 2011, 4:25 pm
Metropolis is one of the most influential science fiction films of all time, and it's obvious that the editing has a lot to do with it. The expressive nature of the acting is superbly juxtaposed with epically framed shots in such a way that story isn't only easy to follow, but really fun to watch!
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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