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  • AOTG

    ASSIMILATE Announces integrated tools for DI

    November 29, 2012, 8:16 am
    (Santa Clara, California--November 28, 2012) ASSIMILATE, the leading global provider of DI and dailies tools for digital cinema, episodic television, commercials and spot workflows is now shipping the next generation of its SCRATCH® and SCRATCH Lab® products. SCRATCH v7 features a powerful new suite of enhanced 3D compositing tools that integrate seamlessly into its world-class color-grading, data management and finishing system to allow far faster, more fluid and more cost-effective DI...

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  • Other Postings By Member

    • VFX company files injunction to block three Disney
      VFX

      VFX company files injunction to block three Disney

      July 20, 2017, 10:08 am
      You probably haven't heard of a special effects company called MOVA, but you've seen its Contour facial-capture technology in films like Guardians of the Galaxy and Beauty and the Beast. It could also have a big impact your entertainment choices. The company behind the tech, Rearden LLC, has filed an injunction against Walt Disney Co. to block those two films, along with Avengers: Age of Ultron, from sales or distribution.

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    • AOTG
      ANIMATION

      The Flash VFX Breakdown

      July 20, 2017, 5:47 am
      Encore VFX – Visual effects breakdown for “The Flash” episode 313. VFX by Deluxe’s Encore and supervised by Armen Kevorkian.

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    • AOTG
      VFX

      Supergirl VFX Breakdown (Ep221)

      July 20, 2017, 5:47 am
      Encore VFX – Visual effects breakdown for “Supergirl” episode 221. VFX by Deluxe’s Encore and supervised by Armen Kevorkian.

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    • Introduction to V-Ray for Cinema4D
      ANIMATION

      Introduction to V-Ray for Cinema4D

      July 20, 2017, 5:47 am
      Introducing V-RAYforC4D 3.4. Check out its quality images with no settings, the brand new improved materials and shaders, the new built-in special effects, the accurate lights and improved GI and the blazing fast rendering speed.

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    • Check out the new features in Blender 2.79
      ANIMATION

      Check out the new features in Blender 2.79

      July 20, 2017, 5:47 am
      The Blender Foundation has released a test build of Blender 2.79: a near-final public version of the next update to the open-source 3D modelling and animation software.

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    • AOTG
      VFX

      The social (VFX) lives of Hollywood

      July 19, 2017, 4:06 pm
      One of the toughest things about covering visual effects can be getting great VFX imagery to display with a story. There’s often a lengthy approvals process, and sometimes film and TV distributors just want to keep certain things under wraps. That can make it hard to produce interesting stories; in visual effects, behind the scenes images and videos tell so much of the process.

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    • FXPHD Resolve 14
      VFX

      FXPHD Resolve 14

      July 19, 2017, 4:06 pm
      I started using DaVinci Resolve in 2005. It was a $300,000 system, the hardware rack was the size of a doorway and it took a Resolve engineer two days to install. In 2006 I met with Mike Seymour and John Montgomery, who said they were thinking of opening an online university. They asked me if I would like to be their professor of color. I didn’t really have any ideas of the specifics, but being keen to try different things I jumped at the chance.

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    • AOTG
      EDITING

      Watch: What Makes a Great Chase Scene?

      July 19, 2017, 9:48 am
      The best car chase scenes, like bridges in classic songs, move viewers from one part of a film to another. Rather than being merely vehicles to fill otherwise unassigned screen time, they can tell audiences a lot about the inner workings of the movie you're making.

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    • OKJA: Erik-Jan de Boer - VFX Supervisor - Method S
      VFX

      OKJA: Erik-Jan de Boer - VFX Supervisor - Method S

      July 19, 2017, 9:48 am
      Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.

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    • AOTG
      VFX

      VFX Super for City of a Thousand Planets

      July 19, 2017, 9:48 am
      The first time Scott Stokdyk worked for Luc Besson back in 1995, the French auteur hired him to work on his then-groundbreaking sci-fi flick The Fifth Element. "At that time I was just this computer artist sitting at a work station for fourteen hours a day in a little dark cubicle excited to be working in the world of film,” says Scott. Since then, visual effects have made gargantuan advances, and so has Scott. He won an Oscar for his work on Spider-Man 2 and made munchkins for Oz The Great and Powerful.

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