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December 4, 2012, 8:18 am
The groaning static of an echo long lost ushers in Kyle Cooper and Imaginary Forces' gracefully gelid title sequence to Lawrence Kasdan's 2003 flop, Dreamcatcher. And while the film itself might be shambolic, baffling - alright, downright crummy - one thing is clear: this sequence is about tone. As we descend into a steely, ticking beat and a constellation of synthesizer notes tinkles along, elaborate webs of sinew, frosted feathers, and snow-capped mountain ranges come together...
March 10, 2018, 9:50 am
In 2015, we published our first feature article in celebration of International Women’s Day entitled 10 Women of Title Design. We have returned each year since with a new group of 10 women in the title design industry to celebrate. This year, we are ecstatic to present another 10!Here at Art of the Title, our mission is to champion the great work of title designers and all those involved in the craft. The 10 Women of Title Design articles are one of the ways in which we strive towards more...
January 4, 2018, 1:42 pm
The Very Best Title Sequences of 2017, as chosen by Art of the TitleFor our fourth annual list of the year’s top 10 title sequences, Art of the Title’s editors chose from among film, television, video games, web series, and conferences. The Top 10 of 2017 were chosen based on criteria such as originality and innovation, impact, atmosphere, relevance to subject matter, and technique.Paring the long list down from 142 to just 10 was a difficult task, but one done with relish. These title s...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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