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December 5, 2012, 3:03 pm
Step up to Adobe® Premiere® Pro CS6 software, including more than 50 new features designed to make switching easier. Final Cut and Avid keyboard shortcuts, tight integration with Adobe After Effects® and Adobe Photoshop® software, unmatched performance, and more help you conquer even your most demanding projects.
June 6, 2010, 5:44 pm
I have a love/hate relationship with Apple Compressor and am always on the lookout for better encoding tools. Part of our new file-based world is the regular need to process/convert/transcode native acquisition formats. This is especially true of the latest crop of HDSLRs, like the Canon EOS 5D Mark II and its various siblings.
June 5, 2010, 5:43 pm
A few weeks ago I wrote a post called Avid Media Composer in a DSLR World which detailed the various workflow options for working with DSLR media (mainly from Canon’s insanely popular 5D and it’s siblings). In that post I mentioned that the upcoming Media Composer 5 would change it all, and it really has, so here’s the update...
June 5, 2010, 5:42 pm
As your editing workflow slow because you are shooting with DSLR or AVCHD cameras? Do you ever feel like your NLE is fighting you instead of working with you? I have heard complaints about instability, crashes, unresponsiveness, rendering, and transcoding, and the list goes on and on.
June 4, 2010, 5:41 pm
Taking on a spec piece can be really troubling. It can also be rewarding. I find it really awkward. I’ve only had a few decent experiences with spec ads that have led to more work or a better relationship. I’m not going to tell you whether to accept them or to not, but I will give you a few experiences I’ve passed through since graduating college.
June 3, 2010, 5:39 pm
In a week I will be downloading Avid Media Composer 5.0. I’ve been delaying all edits of H.264 files. I have a batch of XDCAM files ready to test. I already have a client convinced we will use Avid on the next...
June 3, 2010, 5:38 pm
On any career path there’s getting started, and then there’s getting started right. Imagine you’re a young film editor named Michael R. Miller, you’re looking to get a foothold in feature films, and like anyone just starting out in his chosen field you’re probably willing to take almost any job for the experience and the typeface on your CV. But you are Michael R. Miller, and one of your first jobs isn’t greasing the gears...
June 3, 2010, 5:38 pm
The other thing I really miss is having a dedicated video output from the computer to a video monitor.... nVidia press contacts say the only way to use a second monitor for the Program output is to tear the Program monitor off the Premiere Pro program and maximize it on the second monitor
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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