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August 26, 2010, 3:27 pm
First off I have to apologize. In my excitement to start doing these breakdowns I chose a scene from a movie I had seen in the last couple days. That is not why I am apologizing. I have gained a lot from doing this exercise; there is a lot of power in analyzing something shot by shot that you don’t get from just watching the scene play out as a part of the whole feature and even from watching the scene over and over by itself. I am apologizing because it’s a long one.
October 13, 2020, 12:30 pm
Four of the original and current developers of Nuke, Foundry’s VFX-industry-standard compositing application, are among the winners of this year’s Engineering Emmy Awards.
October 12, 2020, 3:00 pm
Are you inadvertently clipping your exports from Resolve? I wrote an article about this a while ago, Solutions to Resolve 4: Full data and video levels in DaVinci Resolve – don’t clip your proxies and transcodes. It turns out that this is not the end of the story.
October 9, 2020, 1:24 pm
This week we are featuring DCAM FreeComp a free compressor plug-in from FXpansion.
October 8, 2020, 12:42 pm
In Part 2 of befores & afters’ coverage of HBO Max’s Raised by Wolves, we ask production visual effects supervisor Ray McIntyre Jr. how the creatures seen in the series were realized via on-set suits, and in CG by Pixomondo.
Gordon sits down with documentary editor and producer Kathryn Robson to discuss storytelling and her work on the hit Netflix ...
Gordon sits down to talk to Emmy Nominated editors Kate Sanford & Tim Streeto to discuss their work on the Marvelous Mrs. ...
Gordon sits down with Wade Barnett(Supervising Sound Editor) and David Barbee (Sound Designer) to discuss their work on Amazo ...
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