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  • The Best YouTube Export Settings in CS6

    The Best YouTube Export Settings in CS6

    December 18, 2012, 9:26 pm
    YouTube…it’s the most popular video destination in the world, the second most popular search engine (behind Google), and the third most popular website (behind Google and Facebook). Love it or hate it, YouTube has quickly become the go to place to consume video content.

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  • Other Postings By Member

    • Episode 176 — Job Email Teardown
      VFX

      Episode 176 — Job Email Teardown

      January 13, 2019, 7:38 am
      To get a studio to call you back, they have to look at your reel. To look at your reel, they need to read your email. Just by sending, “Hi, I’m an artist, hire me!” — I don’t know how to place you. That’s why cover letters are so important. The emphasis here is to be productive, not negative.

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    • AOTG
      VFX

      The 10 best VFX and animation breakdowns of 2018

      January 13, 2019, 7:37 am
      For the past two years, we’ve posted lists of the 10 best visual effects breakdowns of 2016 and 2017, as selected by our Facebook followers. They’ve proven very popular, so we’ve compiled a new list for 2018.

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    • Mildred Iatrou Morgan & Ai-Ling Lee First Man's So
      SOUND

      Mildred Iatrou Morgan & Ai-Ling Lee First Man's So

      January 12, 2019, 1:45 pm
      Mildred Iatrou Morgan & Ai-Ling Lee sit in with us for this episode. They were the co-supervising sound editors on Damien Chazelle's recent film First Man. They talk about the epic challenge of bringing this film to life, knowing so much of the plot uniquely depends on sound to tell the story of the first moon landing.

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    • Avid at NAMM 2019: live events will be streamed
      EDITING

      Avid at NAMM 2019: live events will be streamed

      January 11, 2019, 11:43 am
      An all-star roster will appear on Avid’s Main Stage at NAMM 2019, making it the premier location for music, audio post production and live sound with an an extraordinary line-up of audio professionals.

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    • AOTG
      VFX

      Aquaman: Jay Barton - VFX Supervisor

      January 11, 2019, 11:43 am
      In 2017, Jay Barton explained the work of Digital Domain on THE FATE OF THE FURIOUS. He talks to us today about his work on AQUAMAN.

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    • Outlook: Big year for VFX education
      VFX

      Outlook: Big year for VFX education

      January 11, 2019, 11:42 am
      ADELAIDE, SOUTH AUSTRALIA — As 2018 comes to a close, Rising Sun Pictures Education (rsp.com.au) can look back on a year that saw its program grow, its partnership with the University of South Australia deepen and a record number of its graduates find meaningful employment in a booming visual effects industry.

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    • AOTG
      VFX

      Ant-Man and Wasp VFX Breakdown

      January 11, 2019, 11:42 am
      The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

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    • Wyatt Smith, ACE on Mary Poppins Returns
      EDITING

      Wyatt Smith, ACE on Mary Poppins Returns

      January 11, 2019, 11:42 am
      Wyatt Smith, ACE has edited films including Nine, Pirates of the Caribbean: On Stranger Tides, Thor: The Dark World, 300: Rise of an Empire, and Doctor Strange. He was also nominated for an ACE Eddie for Best Edited Feature Film – Comedy/Musical for Into the Woods and an Emmy for the Tony Bennett: An American Classic special.

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    • RE:Vision Effects releases RE:Lens V2
      EDITING

      RE:Vision Effects releases RE:Lens V2

      January 11, 2019, 5:26 am
      RE:Vision Effects has released RE:Lens V2, the latest version of its lens conversion and stabilisation plugin for working with 180-degree and 360-degree VR footage in common compositing applications.

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    • Black Panther editor: why Marvel reshoots are good
      EDITING

      Black Panther editor: why Marvel reshoots are good

      January 11, 2019, 5:26 am
      With Black Panther up for three Golden Globes, editor Debbie Berman explains how additional photography helps hone a movie's story right to the last minute.

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