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December 23, 2012, 11:08 am
The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background. In this second tutorial, Andrew Devis goes on to show how to use the Ultra Key settings and how you can use presets to help understand how certain parameters work.
November 6, 2008, 6:52 pm
Although primarily a documentary editor Lindi Harrison has worked across some very challenging projects, including large website developments, Museum exhibitions and even the hugely ambitious 12 screen Sydney Olympic Games Presentation. Lindi's recent work included editing Tim Slade's highly acclaimed 4, where she weaved the magical work of four outstanding violinists to Vivaldi's The Four Seasons.
November 4, 2008, 6:49 pm
The widget will keep track of industry news including software update information, film editing magazine updates as well as artoftheGuillotine.com news. <br /><br /> *NOTE* Unfortunately we don't have this widget for PC's as of yet. But keep your eyes out for it.
November 3, 2008, 6:42 pm
Now that the dust has cleared and we will be seeing lots of popular movie titles on Blu-ray discs for our home entertainment, there are lots of directors and DPs stopping in at film restoration shops to see how their work looks all cleaned up, in 1080p HD and with their deleted scenes reinstated. Older films, like The Godfather, are undergoing intricate rehabilitation. And there are those that are older still: think Peter Sellers as Dr. Strangelove. Or the Three Stooges. Post recently talked...
November 1, 2008, 12:26 pm
This week I interveiw Christopher Nelson. Christopher is the editor of such TV shows as LOST, The West Wing and Six Feet Under. He was a part of the Television Editing Panel at Edit Fest during the summer and took the time to speak to The Cutting Room in Early October.
October 30, 2008, 6:36 pm
Archival footage, scenes differing in aspect ratio, a movie that tiptoes the line between documentary and fiction; for even the most established editor, these things could become a real headache in the cutting room. But for Eric Poydar, writer-director-editor of the faux-documentary Larry (the Actor), the challenge of seamlessly interweaving different forms of footage into a present day narrative about Larry (Lionel Mark Smith), an actor on the verge of giving up his livelihood, was met with...
October 28, 2008, 6:33 pm
A talented actor and an imaginative director are only part of what makes a horror movie so terrifying. Where would scary flicks be without the clever cuts and camera angles that make us jump in our seats?
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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