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  • AOTG

    CS6 Techniques: 89 Export 4: Media Encoder 1

    December 23, 2012, 11:21 am
    In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets. Andrew shows how to add sequences without even having to have Premiere Pro open and then change the preset to another one of your choice and add extra outputs to suit your customers' needs.

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  • Other Postings By Member

    • AOTG
      VFX

      Aquaman: Jay Barton - VFX Supervisor

      January 11, 2019, 11:43 am
      In 2017, Jay Barton explained the work of Digital Domain on THE FATE OF THE FURIOUS. He talks to us today about his work on AQUAMAN.

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    • Outlook: Big year for VFX education
      VFX

      Outlook: Big year for VFX education

      January 11, 2019, 11:42 am
      ADELAIDE, SOUTH AUSTRALIA — As 2018 comes to a close, Rising Sun Pictures Education (rsp.com.au) can look back on a year that saw its program grow, its partnership with the University of South Australia deepen and a record number of its graduates find meaningful employment in a booming visual effects industry.

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    • AOTG
      VFX

      Ant-Man and Wasp VFX Breakdown

      January 11, 2019, 11:42 am
      The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.

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    • Wyatt Smith, ACE on Mary Poppins Returns
      EDITING

      Wyatt Smith, ACE on Mary Poppins Returns

      January 11, 2019, 11:42 am
      Wyatt Smith, ACE has edited films including Nine, Pirates of the Caribbean: On Stranger Tides, Thor: The Dark World, 300: Rise of an Empire, and Doctor Strange. He was also nominated for an ACE Eddie for Best Edited Feature Film – Comedy/Musical for Into the Woods and an Emmy for the Tony Bennett: An American Classic special.

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    • RE:Vision Effects releases RE:Lens V2
      EDITING

      RE:Vision Effects releases RE:Lens V2

      January 11, 2019, 5:26 am
      RE:Vision Effects has released RE:Lens V2, the latest version of its lens conversion and stabilisation plugin for working with 180-degree and 360-degree VR footage in common compositing applications.

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    • Black Panther editor: why Marvel reshoots are good
      EDITING

      Black Panther editor: why Marvel reshoots are good

      January 11, 2019, 5:26 am
      With Black Panther up for three Golden Globes, editor Debbie Berman explains how additional photography helps hone a movie's story right to the last minute.

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    • AOTG
      EDITING

      Denis Villeneuve Reunites with Joe Walker

      January 11, 2019, 5:26 am
      Denis Villeneuve has tapped his frequent collaborator Joe Walker as the Dune editor. This marks the French-Canadian director’s fourth collaboration with Walker in a row, after they’ve worked together on Sicario, Arrival, and Blade Runner 2049.

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    • Animation Nominations at the 72nd BAFTA Awards
      ANIMATION

      Animation Nominations at the 72nd BAFTA Awards

      January 10, 2019, 10:08 am
      With the 76th Golden Globes out of the way, and with Spider-Man: Into the Spider-Verse taking home their Best Animated Feature Film award, it’s now BAFTA’s turn to honour last year’s animated feats!

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    • AOTG
      SOUND

      Oscar Winning Sound Mixer Rudloff Dead at 63

      January 10, 2019, 5:39 am
      Gregg Rudloff, who won Academy Awards for sound mixing “Mad Max: Fury Road,” “The Matrix,” and “Glory” and was nominated four other times, died in Los Angeles on Jan. 6. He was 63.

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    • AOTG
      VFX

      Baumann and Coogler discuss VFX oscar Potential

      January 10, 2019, 5:39 am
      Before the game-changing Black Panther, visual effects supervisor Geoffrey Baumann had worked on a number of Marvel projects, supervising computer graphics and second unit work before earning his current title in this domain. A BAFTA nominee this year, shortlisted by AMPAs as well for Best Visual Effects, Baumann had one mandate from director Ryan Coogler, when it came to his first blockbuster: Above all else, Black Panthershould hold true to Africa.

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