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  • AOTG

    CS6 Techniques: 90 Export 5: Media Encoder 2

    December 23, 2012, 11:22 am
    In this second tutorial on Media Encoder, Andrew Devis shows how to create preset groups for customers to ensure that you always export the same file types and minimize the risk of choosing the wrong presets when outputting multiple different sequences.

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  • Other Postings By Member

    • AOTG
      VFX

      Lost in Space VFX Breakdown

      May 4, 2018, 6:32 am
      Mackevision just posted a nice clean breakdown of its VFX for Lost in Space: mainly the ship itself, but also a bit of creature work.

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    • Jim Button and Luke the Engine Driver VFX Breakdow
      VFX

      Jim Button and Luke the Engine Driver VFX Breakdow

      May 4, 2018, 6:32 am
      RISE – This reel showcases the work created at RISE | Visual Effects Studios for the film Jim Button and Luke the Engine Driver.

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    • Faster, Together Presents Michael Ciono by Patrick
      EDITING

      Faster, Together Presents Michael Ciono by Patrick

      May 4, 2018, 6:32 am
      How many 4K TVs are on the shelves at Best Buy? Quite a few, right? You can pretty much pick up a 4K television for what it used to cost for a flat screen HD model. If you can recall, there was a time when shooting in 4K was possible, but it was difficult to deliver to 4K. Not so much anymore.

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    • Marvel’s 10 VFX Milestones that Led to ‘Infini
      VFX

      Marvel’s 10 VFX Milestones that Led to ‘Infini

      May 3, 2018, 4:31 pm
      It’s been 10 years since Robert Downey Jr. suited up as Tony Stark in the iconic Mark 1 armor in “Iron Man.” Back then the VFX had to look good to win over CG skeptic Jon Favreau, but Industrial Light & Magic stepped up and earned the first of eight Oscar nominations for Marvel.

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    • AOTG
      EDITING

      Resolve Tutorial - Importing FCPX Timelines

      May 3, 2018, 1:10 pm
      In our last lesson, in our look at getting up and editing in DaVinci Resolve, we looked at bringing in our Adobe Premiere Pro Timelines. In this lesson, specifically for our Mac editors out there, we’re going to look at how the process is similar coming from Apple’s FCPX into Resolve.

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    • AOTG
      VFX

      LUKE THE ENGINE DRIVER: VFX Breakdown

      May 3, 2018, 9:16 am
      Here is a new VFX Breakdown for JIM BUTTON AND LUKE THE ENGINE DRIVER featuring this time the work of RISE...

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    • AOTG
      EDITING

      OWC Announces New Price Point for Envoy Pro EX wit

      May 3, 2018, 9:16 am
      WOODSTOCK, Ill., May 3, 2018 /PRNewswire/ -- OWC®, a leading zero emissions Mac and PC technology company, has announced that effective immediately, it is lowering the price of the bus-powered 1.0TB Envoy Pro EX Thunderbolt™ 3. OWC will be the first technology manufacturer to offer a 1.0TB Thunderbolt 3 SSD for under $500.

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    • AOTG
      SOUND

      How to flawlessly synch audio with the NanoLockit

      May 3, 2018, 9:16 am
      The NanoLockit is an incredibly tiny timecode generator that allows both your audio recorder and your camera to receive external timecode, enabling flawless audio synchronisation in post.

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    • AOTG
      VFX

      Downsizing VFX Breakdown

      May 3, 2018, 5:07 am
      Rodeo FX was brought on board to contribute almost 360 shots to ‘Downsizing’. We also created 285 CG assets for Leisureland, including 129 buildings.

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    • AE Project Diary: 6) Xian part 1. Compositing
      VFX

      AE Project Diary: 6) Xian part 1. Compositing

      May 3, 2018, 5:06 am
      When I started on the Xian project in 2011, it was the largest and most complex compositing project I had worked on. Even though about seven years have passed since then, I still think of it as some of the best work I’ve done – which isn’t usually the case with projects completed a long time ago.

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