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  • AOTG

    The Perfect Match for the Perfect Cut

    August 31, 2010, 11:55 am
    This Ozdox session, co-sponsored by the Australian Screen Editors, will cover everything you ever wanted to know but were afraid to ask about the editor-director relationship. Discussion will be sought from directors in the audience and from a panel of editors up the front. And.... because editors never kiss and tell, the organisers will also read out anonymous tales of intrigue, salvation and magic – true adventures in editing never before revealed in public.

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  • Other Postings By Member

    • AOTG
      VFX

      THE OLD GUARD: Sara Bennett - Overall VFX Supervis

      July 23, 2020, 5:06 pm
      In 2018, Sara Bennett explained the work of Milk Visual Effects on ADRIFT. She comes back today to tell us about her work as Overall VFX Supervisor on the Netflix movie, THE OLD GUARD...

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    • AOTG
      VFX

      Webinar: Boris FX: Tricks to Great Images with Opt

      July 23, 2020, 5:06 pm
      Today, July 23, 2020 at 12:00 pm PDT | 3:00 you can get an inside look at the new Boris FX Optics for Photoshop and learn how to build stunning effect stacks, create cinematic looks, and more.

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    • AOTG
      VFX

      How Iron Man's VFX Evolved Over 11 Years

      July 23, 2020, 1:29 pm
      If you look at Iron Man's first suit, the Mark 1, and compare it to the hero's nanotech suit from "Avengers: Infinity War" and "Avengers: Endgame," a lot has changed, but it's not just the technology in the world of the Marvel Cinematic Universe. Animation tech has also evolved in the real world to make this suit possible on the big screen. We spoke with some of the VFX artists who worked on Iron Man’s suit over the past 11 years including Industrial Light & Magic, Weta Digital, Cinesite/Trixter, The Embassy, and Framestore to find out what challenges they faced along the way and how they were able to make the suit look so real.

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    • AOTG
      VFX

      Weta, Streamliner and Avalon Studios Launch Virtua

      July 23, 2020, 1:24 pm
      Weta Digital, Streamliner and Avalon Studios have launched a new LED-stage virtual production service, based in Wellington, New Zealand. The service brings together live stage expertise and expert screen production capability to offer a new production methodology. Recent growth in real-time visual effects capabilities, along with the health and safety benefits of working in New Zealand, prompted the three leading companies to put together a ready-to-use package for productions of all sizes.

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    • Zero Zero Zero Editor Herve Schneid, ACE
      EDITING

      Zero Zero Zero Editor Herve Schneid, ACE

      July 22, 2020, 7:27 pm
      The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows and about their work on some of the biggest films and TV shows of the year.

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    • AOTG
      VFX

      How VFX and animation studios are using virtual wo

      July 22, 2020, 1:27 pm
      Anyone familiar with the visual effects (VFX) and animation industries is well-aware that compute power is an essential part of the digital artistic process. Historically, studios had to fork over a serious chunk of change to purchase the machines needed to create, render and store content. The associated costs of this sizable investment made it difficult for studios to get started, and also forced them to make decisions about hardware without knowing what kind of projects it would be used for (and manage on-going maintenance costs).

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    • AOTG
      ANIMATION

      Retro RenderMan: shading food for 'Ratatouille'

      July 22, 2020, 1:27 pm
      In the past few weeks, befores & afters has been going retro with RenderMan, publishing previously published Pixar materials from days gone by that highlight some of the rendering highlights from Brad Bird’s Ratatouille. Our next piece on that film now covers the fine art of shading of food; preserving the required stylization of the film while also making the food particularly appealing.

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    • AOTG
      VFX

      Boris FX’s new Optics app gives 'VFX for photogr

      July 22, 2020, 1:27 pm
      Boris FX has released Optics, an image-editing toolkit that promises “visual effects for photographers”.

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    • AOTG
      VFX

      Foundry ships Nuke 12.2, NukeX 12.2, Nuke Studio 1

      July 22, 2020, 1:26 pm
      Foundry has released Nuke 12.2, the latest version of node-based compositing software, adding initial support for importing data in USD format, and a new MOV Writer for importing or exporting .mov files.

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    • AOTG
      VFX

      Maxon unveils Project: Neutron

      July 22, 2020, 1:26 pm
      Maxon has unveiled Project: Neutron, a new node-based architecture for Cinema 4D, promising to enable users to do anything from procedural modelling to motion graphics via a visual programming workflow.

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