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  • Will Post Houses and DITs Be Extinct by 2017?

    Will Post Houses and DITs Be Extinct by 2017?

    January 2, 2013, 1:18 pm
    The media management and quality control handled by the digital imaging technician and post house is nearly universally vital in modern filmmaking, where each digital camera brings its own varying formats, workflows, and quirks. This need for DITs and post houses, however, may evaporate just as quickly as it has arisen — at least according to the predictions of Michael Cioni.

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  • Other Postings By Member

    • AOTG
      EDITING

      Marvel's Debbie Berman bring's interesting women t

      April 17, 2019, 6:23 am
      As it became clear at the weekend at the Middle East Film and Comic Con, the appetite for all things in the Marvel Cinematic Universe shows no sign of abating, handy since the release of Avengers: Endgame is around the corner.

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    • AOTG
      EDITING

      Hitfilm Pro 12 Making Progress to all-in-one NLE

      April 17, 2019, 6:23 am
      At this moment in time, post-production workflows are moving towards single-application solutions. FXHome’s HitFilm Pro 12 is one of those full-suite applications making collaboration in one single software possible. An all-in-one editor, compositor, and VFX suite with audio editing and color grading capabilities built in as well, HitFilm Pro 12 should be considered for your next motion graphics-heavy project. We take a look at several of its key features in this review.

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    • AOTG
      EDITING

      Five more great things we took away from NAB 2019

      April 17, 2019, 6:23 am
      About 1600 companies exhibited at NAB 2019, and with almost 1300 people registered as press there were almost enough journalists around to permanently assign one of them to every booth on the show floor.

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    • AOTG
      SOUND

      How To Set Up Side Chain Compression In Pro Tools

      April 17, 2019, 6:22 am
      In a new format we are producing videos offering tips and solutions to common problems in under a minute. In this free video tutorial we show you how easy it is to set up side chain compression in Pro Tools.

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    • The Nostromo was originally yellow...
      VFX

      The Nostromo was originally yellow...

      April 17, 2019, 6:22 am
      I’m one of those people who still buys DVDs for the exclusive featurettes. Oftentimes good, sometimes great, those making-of docos don’t always have time to dive into the nitty-gritty of how a film was crafted by scores of artists coming together.

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    • AOTG
      ANIMATION

      AE Stop Motion Effect

      April 17, 2019, 6:22 am
      A while back, I produced a tutorial showing users how to get started creating stop motion videos. In that video, I show how to animate a basic paper crumple effect. The shot consists of a crumpled paper moving onscreen, uncrumpling, recrumpling, and then moving back off screen. To achieve the popular blocky-style look, I shot 50 images to create a 5-second animation at 10 fps. Yeah, all of this work for 10 seconds of video.

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    • AOTG
      VFX

      The Highwaymen VFX Supervisor Interview

      April 16, 2019, 9:15 am
      In 2014, Chris MacLean explained the work of Mr. X on POMPEII. He then worked on many projects such as CRIMSON PEAK, BEN-HUR, LEGION and THE STRAIN.

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    • AOTG
      COLOR

      Free Cinematic LUTs from Hollywood Films

      April 16, 2019, 9:14 am
      Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.

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    • My Interview on the SHOW DON’T TELL Podcast
      EDITING

      My Interview on the SHOW DON’T TELL Podcast

      April 16, 2019, 6:24 am
      Had a wonderful deep dive discussion with Noam Kroll on his “Show Don’t Tell” Podcast, covering...

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    • Episode 190 — Alessandro Ongaro
      VFX

      Episode 190 — Alessandro Ongaro

      April 16, 2019, 6:21 am
      Alessandro Ongaro is a CG Supervisor at Double Negative. With almost 20 years of experience, he is presently considered to be among the CG Industry’s top professionals.

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