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January 3, 2013, 2:50 pm
The images are great, the acting is amazing, and the audio is a disaster! Sigh... Now what? In this session, you'll learn how to use the audio tools in Adobe Audition CS6 to repair problem audio. Now, truthfully, the best option is to make a clean recording in the first place. But, when that fails, [...]
October 21, 2014, 4:47 am
An Introduction to Adobe After Effects – $1,295 This three-day introductory class introduces you to the essentials for this powerful application for motion graphics and visual effects. Topics include traditional After Effects workflow, basic Animation with effects and presets, introductory text animation, basic keying and 3D, rending and output. Prerequisite: Basic Mac OSX knowledge Audience: Producers, editors, assistant editors and motion graphics artists interested in the basics o...
October 19, 2014, 8:14 am
This one-day workshop is a great insight into how famous looks and styles are created. This is a general class so is not grading system independent so all welcome. We will learn how to create the traditional “Looks” but will also work on how to make new “Looks” to suit your workflow even if you don’t have million dollar budgets. Students are encouraged to bring their own footage*. Looks Covered: Bleach Bypass Duotones Technicolor 2 strip Cross process Natural Color vs Color ...
October 14, 2014, 9:14 am
Paul Whitehead leads this course for assistant editors. Learn what an editor’s assistant is required to do for a picture including technical and workflow needs in the editing room. It covers roles and how assistants can be creatively vital.
September 27, 2014, 8:45 am
J.J. Abrams (Lost) will receive the Visual Effects Society’s Visionary Award, for “his expert blending of visual effects, evocative characters and a remarkable imagination.” The 13th Annual VES Awards takes place February 4 at the Beverly Hilton.
September 23, 2014, 7:05 pm
The job of the assistant editor has never been so tough. Assistants are expected to handle a dizzying array of tasks including how to ingest a myriad range of file formats and codecs, Sync and group multiple cameras, prep for export and on-line and of course, organize, organize, organize. Assistants are often expected to know everything from “why did my computer crash” to “why can’t I AMA link my 5D footage” to “where are my are keys?!”. This workshop will teach you the ...
September 23, 2014, 7:05 pm
(Part 1) Editing Essentials with Avid Media Composer 7 – $1,295 This class is offered as a $995 weekend course (material is compressed into two-days with less lab time) or a $1,295 three-day course that introduces the concepts of nonlinear editing and includes all basic features of the Avid Media Composer system for Macintosh. This course is the first step in achieving confidence, creativity, and efficiency with Avid Media Composer 7, the non-linear film/video editing application u...
September 23, 2014, 4:27 am
An Introduction to Motion 5 – $1,200 Create brilliant titles, transitions, effects, and more with Motion 5, the motion graphics companion to Final Cut Pro X. Thisthree-day, hands-on course starts with motion graphics fundamentals and moves into compositing, animation, and the world of 3D. Explore new intelligent templates to quickly and flexibly create high-quality effects, titles, transitions, and generators as well as create rigs to adjust related parameters with a single control. Who S...
September 4, 2014, 4:31 am
DaVinci Resolve has been used for high-end color correction for many years. In this webinar, experienced Final Cut Pro 7 and Final Cut Pro X editor Alex Gollner introduces you to the many timeline editing features new to Resolve 11. He also shows how to round-trip edits from Final Cut Pro 7 and Final Cut Pro X to Resolve 11 and back again. Setting up an Edit. The Editing Tools. Working with Audio. Using Effects, Titles and Transitions. Sharing your Work with Others. CLICK HERE TO REGISTER NOW!
September 3, 2014, 4:39 am
September 10, 2014 This webinar is different from our usual fare showcasing how to use technology. In this session, host Larry Jordan illustrates how to tell stories and set pacing. All too often, when you ask an editor why they picked a particular shot or sound bite, they will tell you that “it just felt right.” While true, that doesn’t help other editors figure out how to improve their story-telling skills. In this session, Larry uses media from three different genres: montage, docum...
August 27, 2014, 3:32 am
August 27, 2014 Space… The final frontier. 3D space is one of the most confusing aspects of motion graphics. And deservedly so. Getting objects to move horizontally or vertically is challenging for many of us. Adding in depth and 3D space and the situation can get completely out of hand. But not anymore. Join host, Larry Jordan, as he takes you on a tour of 3D space in Motion 5. Discover how to build sets, move cameras and lights to take your motion graphics to an entirely new level. Even ...
Gordon sits down with the Sound Design team (Just nominated for an Oscar) for A Quiet Place. Ethan Van der Ryn and Erik Aadah ...
Gordon sits down with Wyatt Smith to discuss the editing of Mary Poppins Returns and the challenges the film presented him in ...
Gordon sits down with Chayse Irvin to discuss his approach to shooting BlacKkKlansman and his theories about cinematography.
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