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January 8, 2013, 9:03 am
A sibilant breath is slowly drawn across catgut: in and out, up and down the strings of a violin. Matching the sighing notes of the unseen fiddler, a light diffuses out of the shadows before dissolving again - a malfunctioning flashlight in a darkened farmer's field? Whistled by winds and bleated by horns, a frantic three-note motif replaces the calm respiration. Something is out there in the blackness.
October 12, 2017, 5:44 am
Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
Lisa and Gordon discuss her career and approach to editing. ACE will have Lisa as part of their panels at the upcoming Edit ...
Sebastián Sepúlveda joins Gordon to discuss the editing of the film Jackie. They explore how structuring a real ...
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