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February 17, 2017, 10:52 am
Brian Cassin goes in to great detail about how he efficiently edits a gameshow on FCPX. By using Final Cut Pro X and Lumberjack to pre-edit a season of High School Quiz Show, he saves hours, if not days of edit time.
February 16, 2017, 7:34 am
Lesspain has just announced an update to their media managing software Kyno. The 1.2 release focuses on transcoding, FCPX integration and more format support. There is also a 15% off coupon code until the end of March!
February 14, 2017, 10:14 am
Need a reason to watch the Oscars on February 26th 2017? The Spanish film Timecode directed by Juanjo Gimenez and edited on FCPX by Silvia Cervantes has a good chance to win out of the five entries on the Live Action Short shortlist.
February 8, 2017, 7:14 am
Back in March 2016 I took a prototype Jellyfish portable started storage unit out on the road for a broadcast Final Cut Pro X edit. A few months later, I took a shipping model out on another high pressure, quick turnaround broadcast job. What’s new, what's changed and how did it perform?
February 4, 2017, 9:28 am
Apple has announced a discounted bundle of Pro Apps for educational users. Final Cut Pro X, Logic Pro X, Motion 5, Compressor 4, and MainStage 3 are available for just $199.99 for educational use.
January 30, 2017, 10:18 am
Continuing our look at Final Cut Pro X for Premiere editors, Chris Roberts takes a look at the different editing techniques you can employ. There are some big changes and Chris gives you the information you need to know to get up to speed.
January 26, 2017, 10:35 am
On to part four of this masterclass in filmmaking and it's a bumper issue! Sam Mestman and Patrick Southern this time talk about group workflows and finishing. As always, lots of info and great tips. Possibly a two cups of coffee article.
January 23, 2017, 10:15 am
Here at FCP.co, we are all too familiar with the advantages of a Final Cut Pro X workflow. But, as FCP X becomes more widely used throughout the production industry, we thought we’d dedicate a little space to helping those familiar with other NLEs get to grips with our favourite editing platform. We asked Chris Roberts (who’s both an Apple Certified Trainer and Adobe Certified Instructor) to help Premiere Pro editors draw parallels with FCP X.
Gordon sits down with Joe Walker to discuss editing Blade Runner 2049. Gordon and Joe have talked twice previously, first abo ...
Gordon sits down with Sidney Wolinsky to discuss the editing of Guillermo del Toro's latest film The Shape of Water.
Gordon sits down with Lee Percy to discuss editing The Mountain Between Us.
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