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  • How To Get People To Work For Free On You Film

    How To Get People To Work For Free On You Film

    January 11, 2013, 1:45 am
    Even if I’ve probably shared those inspiring photos with “I’m an artist, but I have bills to pay” like everyone in this industry, truth is that, like everyone in this industry, I have worked for free, and will continue to do so on the right project. What makes it the right project? Here is a little checklist to run through before asking anyone to dedicate time for your project, on top of the job they have to keep working on to pay the bills you are not willing/able to help with.

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  • Other Postings By Member

    • Tutorial
      COLOR

      Simple Video Limiter / Broadcast Safe in Premiere

      January 22, 2017, 7:29 pm
      Premiere has a Video Limiter filter, which does a good job of bringing some of the crazy values back in range if you set it up correctly, but it never seems to be doing a perfect job of clipping the values that can’t be displayed anyway. Here is a quick and easy way to get rid of those stray values.

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    • Blog PostColour Grading: Before/After – Fing Tit
      COLOR

      Blog PostColour Grading: Before/After – Fing Tit

      November 2, 2015, 4:30 am
      Submit Short description of Posting (No more than 500 No less than 10)DaVinci Resolve grade: Creating a grunge contrasty look while keeping the subject looking nice.

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    • Colour Grading: Before/After – Fashion Grade
      COLOR

      Colour Grading: Before/After – Fashion Grade

      November 2, 2015, 4:28 am
      DaVinci Resolve grade: Creating a grunge contrasty look while keeping the subject looking nice.

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    • Fast Export At Optimal Quality in Adobe Premiere
      EDITING

      Fast Export At Optimal Quality in Adobe Premiere

      September 25, 2014, 9:05 am
      If you ever have heavy effects or AE dynamic linking in your Premiere sequence, you might have to render some elements of your sequence for playback. There’s no reason not to use these renders for your final export, but for this, you need to make sure you’re not causing generational loss by rendering to an intermediate (inferior) codec, which will then be transcoded again when you’re mastering out.

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