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January 11, 2013, 1:45 am
Even if I’ve probably shared those inspiring photos with “I’m an artist, but I have bills to pay” like everyone in this industry, truth is that, like everyone in this industry, I have worked for free, and will continue to do so on the right project. What makes it the right project? Here is a little checklist to run through before asking anyone to dedicate time for your project, on top of the job they have to keep working on to pay the bills you are not willing/able to help with.
January 22, 2017, 7:29 pm
Premiere has a Video Limiter filter, which does a good job of bringing some of the crazy values back in range if you set it up correctly, but it never seems to be doing a perfect job of clipping the values that can’t be displayed anyway. Here is a quick and easy way to get rid of those stray values.
September 25, 2014, 9:05 am
If you ever have heavy effects or AE dynamic linking in your Premiere sequence, you might have to render some elements of your sequence for playback. There’s no reason not to use these renders for your final export, but for this, you need to make sure you’re not causing generational loss by rendering to an intermediate (inferior) codec, which will then be transcoded again when you’re mastering out.
Gordon Burkell sits down with Nathan Robitaille and Nelson Ferreira to discuss the sound design of The Shape of Water, for wh ...
Gordon Burkell sits down to talk to Bruno Verdoni, who plays Pat in Molly's Game, about acting, working with Aaron Sorki ...
Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.
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