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September 9, 2010, 5:15 pm
The BBC is switching to Premiere Pro CS5 software, through which the corporation is improving workflow efficiency, creating a tapeless environment and reducing costs. The corporation is now implementing an additional 2,000 seats of Adobe Premiere Pro CS5 software as the company’s primary tool for desktop nonlinear editing. The broadcaster’s expanded use of Adobe Premiere Pro CS5 software highlights the growing momentum for Adobe Creative Suite 5 Production Premium across the broadcast industry.
January 13, 2021, 5:32 pm
Both Mike Matzdorff and I are professional career editors who work on multiple edit systems. We’ve realized that most NLEs are variations on a theme—source clips, tracks, insert, and overwrite. Final Cut Pro X stands alone with a truly unique approach to editing including its ability to cut with no tracks and a magnetic timeline. This results in a vastly different and more efficient editing workflow with significant advantages, if you learn the ropes.
January 13, 2021, 1:48 pm
Autodesk’s acquisition of Discreet Logic in 1999 established its leading role as a software provider to the media and entertainment industry. It also brought in exceptional talent, including Diana Colella, whose two-decade rise at Autodesk has now reached a new peak.
January 13, 2021, 1:48 pm
Proxies are smaller, low-resolution versions that serve as a substitute for the original camera media when your computer is not powerful enough to smoothly handle high-resolution material or demanding codecs. Since the Final Cut Pro 10.4.9 update, a few things have changed regarding proxies. I’ll show you a few new ways to work with proxies in Final Cut Pro in this Quick Tip video.
January 12, 2021, 6:10 pm
In 2014, Dan Levitan told us about the work of Hammerhead on The Expendables 3 and then worked at Psyop and FuseFX on a various shows including War Dogs, The Last Man On Earth, Station 19 and Veronica Mars.
January 12, 2021, 2:08 pm
A native Californian, David Tanaka attended the University of California at Berkeley where in 1989 he earned his bachelor’s degree in Fine Arts with an emphasis in Film Theory. Upon graduating, he worked for post-production facilities throughout the San Francisco Bay Area, quickly gaining experience through corporate advertising and industrial documentary assignments.
January 12, 2021, 2:06 pm
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming, a lot of the Cut page and basic editing with the Speed Editor. This second part is all about multicam and multicamera editing with the Speed Editor and the Cut Page.
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. ...
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make ...
Jody McVeigh-Schultz and Lane Farnham discuss tackling HBO's documentary series McMillion$, a series that explores the f ...
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