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October 4, 2012, 3:42 pm
Fans of the Bourne film series flocked to theaters this summer when the release of The Bourne Legacy hit the screen. What viewers might not have realized when watching the action-packed film was the intense editing process that went into making it such a show-stopper. Bryant Frazer at Studio Daily and Oliver Peters at Digital Video each had the opportunity to interview The Bourne Legacy's editor John Gilroy, and through their respective articles, share what it was like to work with his...
October 2, 2012, 9:16 am
Minnetonka Audio Software's SurCode for Dolby E Decoder plug-in decodes Dolby E files back to discrete base-band PCM, resulting in a sample-accurate, fully time-aligned set of files ready for distribution or further editing. The decoder plug-in appears in the insert chain on your channel strip with all other RTAS plug-ins, and will decode your audio in sync with the timeline.
September 27, 2012, 3:12 pm
If you're still weighing up whether or not to upgrade to Sibelius 7, and you're worried about the impact the new task-orientated user interface will have on your use of the software, then this video tutorial from the ever-reliable Philip Rothman of NYC Music Services...
September 27, 2012, 3:06 pm
I'm pleased to announce that Sibelius 7.1.3 is now available. The main focus of this maintenance update is to ensure compatibility with Mac OS X 10.8 Mountain Lion, and to provide as many stability improvements and fixes as possible, to leave the program in the best possible shape as the new development team ramps...
September 25, 2012, 3:34 pm
Try Media Composer Free for 30 Days - goo.gl Welcome to Getting Started with Media Composer 6 and Avid Symphony 6 for Final Cut Pro users. In a few short videos you'll have everything you need to get up and editing with Media Composer or Symphony. We'll explore topics like basic editing, trimming, using the Smart Tool, adding and customizing effects, performing basic color correction, using Final Cut key commands, and more. We'll even show you how to bring existing Final Cut Pro projects into the Avid, complete with transitions and nested sequences, using third party tools.
September 21, 2012, 7:27 am
Avid DS is a full-featured editing, graphics creation, color correction, and compositing solution, and is the absolute best conforming tool for Media Composer and Symphony to create and deliver high-end content. Save time and money by keeping all editing and finishing in house. Choose the low cost software-only version to use with your existing hardware...
September 21, 2012, 7:27 am
Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available to everyone in the facility or the field in one simple, transparent process.
September 19, 2012, 3:08 pm
Baselight for Avid 14-day trial - goo.gl Baselight for Avid enables you to quickly add high quality color corrections to your shots in either Media Composer or Symphony, using a comprehensive subset of the powerful grading tools and other features available on full Baselight systems. Learn more about Baselight for Avid www.filmlight.ltd.uk Learn more about the Media Composer Family www.avid.com...
September 16, 2012, 5:05 pm
The DNxHD license key enables in-camera recording of 1920 x 1080 (16:9) Avid DNxHD encoded MXF files onto SxS PRO cards. It is free of charge and pre-installed on all ALEXA Studio cameras. The DNxHD recording option can be activated and de-activated by loading or deleting the license file on the camera. With an installed DNxHD license key, ALEXA users can choose between MXF/DNxHD and QuickTime/ProRes recording. Learn more about the ARRI ALEXA License for DNxHD alshop.arri.de Learn more about...
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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