Welcome to AOTG.com

Sign up free

Be a part of a unique online community that connects post production professionals and film academics worldwide.

You'll have access to personalize your news feed, access to Live Post Talks and much more. Contribute to the community by posting interesting post production content.

Member Login

Social Login!

Not a Member? Sign Up!

(minimum 3 characters)
I agree with the Terms of Use and Privacy Policy
To receive account info and prevent it landing in your spam folder, add info@aotg.com as an email contact.

  • Avid Announces Conference Call Following Release

    Avid Announces Conference Call Following Release

    January 16, 2013, 8:07 pm
    Avid Announces Conference Call Following Release of Fourth Quarter 2012 Results

    • Report
    • Share
    • Save

    Share this posting

  • Other Postings By Member

    • Editor John Gilroy and 'The Bourne Legacy'
      EDITING

      Editor John Gilroy and 'The Bourne Legacy'

      October 4, 2012, 3:42 pm
      Fans of the Bourne film series flocked to theaters this summer when the release of The Bourne Legacy hit the screen. What viewers might not have realized when watching the action-packed film was the intense editing process that went into making it such a show-stopper. Bryant Frazer at Studio Daily and Oliver Peters at Digital Video each had the opportunity to interview The Bourne Legacy's editor John Gilroy, and through their respective articles, share what it was like to work with his...

      • Report
      • Share
      • Save

      Share this posting

    • IBC 2012: Complete Dolby E Workflow for MC6
      EDITING

      IBC 2012: Complete Dolby E Workflow for MC6

      October 2, 2012, 9:16 am
      Minnetonka Audio Software's SurCode for Dolby E Decoder plug-in decodes Dolby E files back to discrete base-band PCM, resulting in a sample-accurate, fully time-aligned set of files ready for distribution or further editing. The decoder plug-in appears in the insert chain on your channel strip with all other RTAS plug-ins, and will decode your audio in sync with the timeline.

      • Report
      • Share
      • Save

      Share this posting

    • Video tutorial: 10 features of Sibelius 7's ribbon
      EDITING

      Video tutorial: 10 features of Sibelius 7's ribbon

      September 27, 2012, 3:12 pm
      If you're still weighing up whether or not to upgrade to Sibelius 7, and you're worried about the impact the new task-orientated user interface will have on your use of the software, then this video tutorial from the ever-reliable Philip Rothman of NYC Music Services...

      • Report
      • Share
      • Save

      Share this posting

    • Sibelius 7.1.3 update now available
      EDITING

      Sibelius 7.1.3 update now available

      September 27, 2012, 3:06 pm
      I'm pleased to announce that Sibelius 7.1.3 is now available. The main focus of this maintenance update is to ensure compatibility with Mac OS X 10.8 Mountain Lion, and to provide as many stability improvements and fixes as possible, to leave the program in the best possible shape as the new development team ramps...

      • Report
      • Share
      • Save

      Share this posting

    • Avid Customers Achieve Top Honors at 64th Emmys
      EDITING

      Avid Customers Achieve Top Honors at 64th Emmys

      September 25, 2012, 3:34 pm
      Game of Thrones, Homeland, How I Met Your Mother, Modern Family among this year's winners using Avid audio and video solutions...

      • Report
      • Share
      • Save

      Share this posting

    • MC6 - Getting Started for FCP Users
      EDITING

      MC6 - Getting Started for FCP Users

      September 25, 2012, 3:34 pm
      Try Media Composer Free for 30 Days - goo.gl Welcome to Getting Started with Media Composer 6 and Avid Symphony 6 for Final Cut Pro users. In a few short videos you'll have everything you need to get up and editing with Media Composer or Symphony. We'll explore topics like basic editing, trimming, using the Smart Tool, adding and customizing effects, performing basic color correction, using Final Cut key commands, and more. We'll even show you how to bring existing Final Cut Pro projects into the Avid, complete with transitions and nested sequences, using third party tools.

      • Report
      • Share
      • Save

      Share this posting

    • IBC 2012: What's New in Avid DS 11
      EDITING

      IBC 2012: What's New in Avid DS 11

      September 21, 2012, 7:27 am
      Avid DS is a full-featured editing, graphics creation, color correction, and compositing solution, and is the absolute best conforming tool for Media Composer and Symphony to create and deliver high-end content. Save time and money by keeping all editing and finishing in house. Choose the low cost software-only version to use with your existing hardware...

      • Report
      • Share
      • Save

      Share this posting

    • IBC 2012: Work Anywhere with Interplay Sphere
      EDITING

      IBC 2012: Work Anywhere with Interplay Sphere

      September 21, 2012, 7:27 am
      Requiring only a NewsCutter or Media Composer editor and an internet connection to an Interplay Production workgroup, Interplay Sphere connects multiple remote editors simultaneously, letting them combine footage from the scene with material on the Interplay Production system. For quick turnaround, proxies of finished edits can precede upload of full resolution media, all becoming available to everyone in the facility or the field in one simple, transparent process.

      • Report
      • Share
      • Save

      Share this posting

    • FilmLight Baselight for Avid
      EDITING

      FilmLight Baselight for Avid

      September 19, 2012, 3:08 pm
      Baselight for Avid 14-day trial - goo.gl Baselight for Avid enables you to quickly add high quality color corrections to your shots in either Media Composer or Symphony, using a comprehensive subset of the powerful grading tools and other features available on full Baselight systems. Learn more about Baselight for Avid www.filmlight.ltd.uk Learn more about the Media Composer Family www.avid.com...

      • Report
      • Share
      • Save

      Share this posting

    • ARRI ALEXA and Avid Workflow
      EDITING

      ARRI ALEXA and Avid Workflow

      September 16, 2012, 5:05 pm
      The DNxHD license key enables in-camera recording of 1920 x 1080 (16:9) Avid DNxHD encoded MXF files onto SxS PRO cards. It is free of charge and pre-installed on all ALEXA Studio cameras. The DNxHD recording option can be activated and de-activated by loading or deleting the license file on the camera. With an installed DNxHD license key, ALEXA users can choose between MXF/DNxHD and QuickTime/ProRes recording. Learn more about the ARRI ALEXA License for DNxHD alshop.arri.de Learn more about...

      • Report
      • Share
      • Save

      Share this posting





    SUBMIT A LINK

    Newest From Aotg.com
    Stay Informed
    • Mail List

      E-Mail Newsletter

      Choose what Post News gets sent directly to your E-Mail, daily or weekly.

    • Apple iOS Mobile App

      AOTG App for iOS

      Get your post news on your favourite Apple device, when you want it where you want it.

    • Android Mobile App

      AOTG App for Android Devices

      Get your post news on your favourite Android device with the AOTG Android App.