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  • I've been at this a while

    I've been at this a while

    January 20, 2013, 11:27 am
    For the past 18 months or so, many editors have been trying to figure out what they wanted to do in a “Post Final Cut Pro” era. Of course, they are completely discounting FCPX. I’ve met and spoken with several very accomplished editors who have never cut on anything but Final Cut Pro.

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  • Other Postings By Member

    • AOTG
      ANIMATION

      Foundry lance Modo 12.2

      November 16, 2018, 5:43 am
      Foundry launched version 12.2 of Modo, its general-purpose 3D solution.

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    • AOTG
      VFX

      Foundry ships Modo 12.2

      November 16, 2018, 5:43 am
      Foundry has released Modo 12.2, the last of three linked updates to its modelling and animation tool forming the Modo 12 Series, following the release of Modo 12.0 in March and Modo 12.1 in June.

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    • AOTG
      EDITING

      Apple Updates FCPX and Motion

      November 15, 2018, 2:20 pm
      This morning, Apple released free updates to Final Cut Pro X (10.4.4), Motion (5.4.2) and Compressor (4.4.2). This is the 28th free update to Final Cut since it was first released in June, 2011. There are a variety of new features in this update, here are the highlights.

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    • AOTG
      EDITING

      Frame.io Introduces Workflow Extension for FCPX

      November 15, 2018, 2:20 pm
      (New York, NY--November 15, 2018) Frame.io, the world’s most popular video review and collaboration platform used by over 650,000 filmmakers and mediaprofessionals, today released Frame.io in Final Cut Pro X, a first of its kind workflow extension that combines the core functionality of Frame.io with the advanced editing toolsin Final Cut Pro X. Developed in collaboration with Apple, Frame.io in FinalCut Pro X is the first collaborative videoreview toolset that can be accessed right in Final Cut Pro X.

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    • AOTG
      SOUND

      A Quiet Place Sound Editors Discuss the film

      November 15, 2018, 2:20 pm
      On examination of those behind the filmic curtain—creating the sonic palette through which to feel a world—any number of descriptors seem to apply. Magicians, wizards and puppet masters who have trained themselves in the art of emotional manipulation, sound editors are too often among those craftsmen and women taken for granted, when the reality is that no film could function, or pull the audience in toward the screen, without their dedicated, passionate work. The supervising sound editors behind Paramount Pictures’ surprise horror smash A Quiet Place—deftly directed by John Krasinski—Erik Aadal and Ethan Van der Ryn are among those whose contributions are so undeniable that they happen to elevate the craft as a whole.

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    • Adobe Premiere Rush: 5 immediate corrections requi
      EDITING

      Adobe Premiere Rush: 5 immediate corrections requi

      November 15, 2018, 10:03 am
      Many content producers are excited about Adobe’s new Premiere Rush. That’s the final product name for the code-named Project Rush multiplatform production tool I covered in a prior article, an episode of BeyondPodcasting, and other ProVideo Coalition contributors have covered (links ahead). Now that Premiere Rush is out of beta and officially available for iOS (iPhone, iPad, iPod Touch), macOS and Windows (but still pending for Android and Chromebook), Cielo de la Paz of The Storyographist and I have been able to determine five issues that the Adobe Rush team must address immediately, or at least the first four of them.

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    • Spotlight – Shauna Bryan
      VFX

      Spotlight – Shauna Bryan

      November 15, 2018, 10:03 am
      To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.

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    • AOTG
      VFX

      Solo: A Star Wars Story Hybride VFX Breakdown

      November 15, 2018, 6:03 am
      Solo: A Star Wars Story Hybride VFX Breakdown

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    • AOTG
      EDITING

      Blackmagic Announces Resolve 15.2

      November 15, 2018, 6:03 am
      (Fremont, CA--November 15, 2018) Blackmagic Design today announced DaVinci Resolve 15.2, a major update to its editing, color correction, visual effects and professional audio post production software. DaVinci Resolve 15.2 has been designed based on feedback from professional customers around the world. It includes over 30 new features that simplify and streamline everyday tasks so editors, colorists and sound engineers can work even faster.

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    • AOTG
      VFX

      Oblivion VFX Breakdown

      November 15, 2018, 6:03 am
      I love when the #TBT brings you great materials such as this really cool VFX Breakdown by Digital Domain about their work on OBLIVION...

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