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January 20, 2013, 11:27 am
For the past 18 months or so, many editors have been trying to figure out what they wanted to do in a “Post Final Cut Pro” era. Of course, they are completely discounting FCPX. I’ve met and spoken with several very accomplished editors who have never cut on anything but Final Cut Pro.
February 19, 2009, 11:34 am
THIS coming Monday February 23, 2009 AVID's website will be hosting a live chat online with Chris Dickens editor and Oscar nominee of Slumdog Millionaire anyone can participate in the discussion. It takes place 1:00 PM PST – 2:00 PM PST / 4:00 PM EST – 5:00 PM EST. You need to register with AVID.
February 17, 2009, 11:33 am
The Australian Screen Editors have begun their Sundowner. Each month on the first Sunday the ASE have a casual catch up over cold beer. This months Location is The Oaks Pub at 3PM on Sunday March 1st. For the ASE website Click Here.
February 15, 2009, 11:32 am
On February 5, The Landmark Theatre complex in West Los Angeles played host to the latest presentation in Paramount Pictures’ "Craft Salon" evenings, a panel and reception devoted to the behind-the-camera talent on David Fincher’s The Curious Case of Benjamin Button, which has received 13 Academy Award nominations. Moderated by Bruce Carse, the all Oscar-nominated panel consisted of picture editors Angus Wall and Kirk Baxter, director of photography Claudio Miranda, costume designer...
February 14, 2009, 11:31 am
Its not surprising that a group like the Mayor's Office of Film, Theatre and Broadcasting in New York is taking the time and expense to promote careers in post-production—specifically editing and sound design. But this isn't some newbie effort in response to the current downturn in the economy; such panels featuring production, post, and facilities' managers to promote the city's top creative talent have been a regular part of the office's plans over the past few years.
Gordon Burkell sits down to discuss Selina MacArthur's Emmy nominated work on Black Mirror's USS Callister.
Gordon Burkell sits down with Beth Morgan to discuss the costume design for GLOW.
Gordon Burkell sits down with Tanya Swerling to discuss her work on the show GLOW.
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