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  • AOTG

    The evolution of a title card

    January 23, 2013, 9:08 am
    160 images showing the evolution of title cards.

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  • Other Postings By Member

    • Secrets behind Iron Man 3's mindblowing VFX
      VFX

      Secrets behind Iron Man 3's mindblowing VFX

      April 24, 2014, 7:47 am
      As superheroes go, Tony Stark aka Iron Man, is refreshingly human. Underneath that suit of high-tech armour, he's arrogant, tortured and has a dodgy ticker to boot. The occasional army of alien interlopers aside (Avengers Assemble) his enemies tend to be equally relatable, if never exactly run of the mill.

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    • AOTG
      EDITING

      IMAX Corporation Reports First Quarter 2014

      April 24, 2014, 7:47 am
      NEW YORK, April 24, 2014 /PRNewswire/ -- IMAX Corporation (NYSE: IMAX; TSX: IMX) today reported first quarter 2014 revenues of $48.2 million, adjusted EBITDA as calculated in accordance with the Company's credit facility of $12.6 million, adjusted net income of $3.3 million, or $0.05 per diluted share, and reported net income of $0.6 million, or $0.01 per diluted share.

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    • Mixing Band of Horses’ “Detlef Schrempf” wit
      SOUND

      Mixing Band of Horses’ “Detlef Schrempf” wit

      April 24, 2014, 7:47 am
      Recorded and mixed by Bill Reynolds and Jason Kingsland, Band of Horses’ live album, Acoustic at the Ryman, is a stripped-down document of a legendary group at a landmark American venue. Here, Reynolds, a Grammy-nominated producer, engineer, mixer, and songwriter (as well as Band of Horses’ bassist) details the track, “Detlef Schrempf” from Acoustic at the Ryman.

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    • Tom Salta on Creating Award-Winning Video Game Sco
      SOUND

      Tom Salta on Creating Award-Winning Video Game Sco

      April 24, 2014, 7:47 am
      When you write music for video games, you don’t just create a linear score, like you would for a movie,” says renowned game composer Tom Salta. “You often have to think, and work, in layers, and compose to possibility. Salta’s expertise at creating such fluid and multi-tendriled sonic magic has taken him to the top of his field.

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    • Sequel To Come
      ANIMATION

      Sequel To Come

      April 24, 2014, 7:47 am
      ... In a far-ranging conversation, [Disney Studio chairman Alan] Horn touched upon a number of Disney’s most prized franchises. At the top of that list was Disney’s breakout Frozen, now the highest-grossing animated film of all time. Horn told his audience that Disney’s sole focus at the moment was getting the Frozen musical ready for Broadway and that a sequel hadn’t even been discussed.

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    • AOTG
      VFX

      AE Quick Tip - Improving Your Green Screen

      April 24, 2014, 7:46 am
      Here's a very quick After Effects tip that'll help anyone who's ever tried to create a chroma key or green screen effect with less than perfect footage. It's...

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    • AOTG
      EDITING

      NAB 2014: Jenny Fulle and Craig Mumma

      April 24, 2014, 7:46 am
      Jenny Fulle and Craig Mumma from The Creative-Cartel take about Joust, which they developed during the course of productions they worked on, such as the film...

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    • Smurf Village
      ANIMATION

      Smurf Village

      April 24, 2014, 7:46 am
      Nothing thrills me more than having the once-in-a-lifetime privilege of launching THE BLUE PRINT, my official Director’s Blog for the as yet UNTITLED SMURFS MOVIE (Keep checking, you’ll be among the first to know when the perfect new title is chosen).

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    • AOTG
      SOUND

      Why Dynamic Range is So Important

      April 24, 2014, 7:46 am
      Michael Coleman is back with another SoundWorks Collection video, and this time it’s the sound team from Wally Pfister’s directorial debut Transcendence. The sound team talks a lot about the dynamic range in their audio mix, where they utilize very quiet sounds all the way up to very loud sounds in order to maximize the effectiveness of both. Check out the video below and learn why silence at the right moments can actually improve your sound mix.

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    • AOTG
      VFX

      How to Create the Sun's Surface with Adobe AE

      April 24, 2014, 7:45 am
      Here’s a great Adobe After Effects tutorial on how to create the surface of the sun (solar atmosphere) by the best Adobe After Effects teacher on the planet, Andrew Kramer – the guy I learned from...

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